Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.
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| Production | Samuel Bronston | Producer |
| Directing | Nicholas Ray | Director |
| Writing | Philip Yordan | Screenplay |
| Camera | Milton Krasner | Director of Photography |
| Camera | Manuel Berenguer | Director of Photography |
| Camera | Franz Planer | Director of Photography |
| Sound | Miklós Rózsa | Original Music Composer |
| Editing | Harold F. Kress | Editor |
| Art | Enrique Alarcón | Set Decoration |
| Costume & Make-Up | Anna Cristofani | Hairstylist |
| Costume & Make-Up | Georges Wakhévitch | Costume Design |
| Art | Georges Wakhévitch | Set Designer |
| Crew | Lee LeBlanc | Special Effects |
| Production | Stanley Goldsmith | Production Manager |
| Art | Stanley Detlie | Property Master |
| Crew | Carl Gibson | Technical Supervisor |
| Lighting | Norton Kurland | Electrician |
| Crew | Alex Weldon | Special Effects |
| Art | Maciek Piotrowski | Draughtsman |
| Directing | Noël Howard | Second Unit Director |
| Directing | Sumner Williams | Second Unit Director |
| Directing | Carlo Lastricati | Assistant Director |
| Directing | José María Ochoa | Assistant Director |
| Directing | José López Rodero | Assistant Director |
| Costume & Make-Up | Mario Van Riel | Makeup Designer |
| Costume & Make-Up | Charles E. Parker | Makeup Designer |
| Sound | Franklin Milton | Recording Supervision |
| Sound | Basil Fenton-Smith | Sound Recordist |
| Costume & Make-Up | Eric Seelig | Costume Supervisor |
| Crew | Betty Utey | Choreographer |
| Production | Alan Brown | Associate Producer |
| Production | Jaime Prades | Associate Producer |
