When Heather and Sarah Ann were growing up they told each other every secret. But Heather left their small town on the last day of high school vowing never to return. Forced to come back when her father becomes ill, the young documentary filmmaker is pressured into filming Sarah Ann's wedding video. Heather is convinced that the edgy filmmaker and bubbly pink-wearing bride have nothing in common, but as the big day approaches she finds that no one is quite what they seem – especially the old friend she thought she knew better than anyone.
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| Directing | Joan Carr-Wiggin | Director |
| Sound | Jimmy Robb | Assistant Sound Editor |
| Writing | Joan Carr-Wiggin | Screenplay |
| Writing | Savitri Gordian | Story |
| Editing | Rose Mayes | Editor |
| Directing | Brandon Jourdin | Second Assistant Director |
| Crew | Diane Pitblado | Dialect Coach |
| Sound | David Ottier | Sound Recordist |
| Sound | Guy Farley | Original Music Composer |
| Writing | Joan Carr-Wiggin | Story |
| Costume & Make-Up | Ruth Secord | Costume Design |
| Crew | Ken Dhaliwal | Legal Services |
| Art | Wendy Morrow | Production Design |
| Production | Michelle Kanyo | Production Coordinator |
| Production | Mark Paladini | Co-Executive Producer |
| Camera | Arthur E. Cooper | Director of Photography |
| Camera | Laurence Bortnick | First Assistant Camera |
| Sound | Alexander Turner | Boom Operator |
| Production | Rosalie Chilelli | Assistant Production Manager |
| Production | JoAnne Rivers | Production Coordinator |
| Sound | Dale Lennon | Dialogue Editor |
| Sound | Mark Dejczak | Sound Effects Editor |
| Production | Ian Pozzebon | Location Manager |
| Directing | Cassandra Frechette | Script Supervisor |
| Crew | Verlyn Robinson | Driver |
| Production | Peter Bates | Executive Producer |
| Production | David Rogers | Executive Producer |
| Production | Stephanie Gorin | Casting |
| Production | Anthony Pangalos | Production Manager |
| Directing | Bill Corcoran | First Assistant Director |
| Crew | Alex Lyons | Transportation Coordinator |
| Crew | Alyssa Piazza | Stand In |
| Visual Effects | Jeff Bruneel | Visual Effects |
| Crew | Jeanette O'Sullivan | Legal Services |
| Lighting | Mike Boivin | Gaffer |
| Camera | Shane Kirkpatrick | Grip |
| Crew | Cathy Metlin | Driver |
| Camera | Lori Longstaff | First Assistant Camera |
| Camera | Mike Lawrence | Key Grip |
| Production | Maribeth Daley | Production Manager |
| Camera | Adam Horwood | Grip |
| Production | John Roy | Production Accountant |
| Crew | Jayme Alter | Legal Services |
| Production | David Gordian | Producer |
| Camera | Daniel Abboud | Camera Operator |
| Crew | Roy Aason | Driver |
| Crew | Alysia Topol | Stand In |
| Camera | Ryan Wiseman | Grip |
| Sound | John Laing | Supervising Sound Editor |
| Sound | Rudy Michael | Sound Re-Recording Mixer |
| Production | Jason Garrett | Executive Producer |
| Production | Mark Paladini | Casting |
| Art | Dustin Hachey | Property Master |
| Crew | Frank Biron | Driver |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Crew | Christina Buchli | Legal Services |
| Lighting | Melanie St-Cyr | Best Boy Electric |
| Art | Keith Bowser | Set Decoration |
| Art | Christine Mozarowski | Set Decoration Buyer |
| Production | Alan Latham | Producer |
| Production | Simone Reynolds | Casting |
| Camera | Allen Rahmer | Key Grip |
| Camera | Dylan Bryson | Grip |
| Crew | Tracey Rutkauskas | Stand In |
| Camera | Felipe Rodriguez | Dolly Grip |
| Costume & Make-Up | Heather Manson | Hairstylist |
| Costume & Make-Up | Jemma Harwood | Makeup Designer |
