A group of Nobel laureates descends on Stockholm to accept their awards. Among them is American novelist Andrew Craig, a former literary luminary now writing pulp detective stories to earn a living. Craig, who is infamous for his drinking and womanizing, formulates a wild theory that physics prize winner Dr. Max Stratman has been replaced by an impostor, embroiling Craig and his chaperone in a Cold War kidnapping plot.
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Writing | Irving Wallace | Novel |
Art | Henry Grace | Set Decoration |
Directing | Mark Robson | Director |
Sound | Jerry Goldsmith | Original Music Composer |
Production | Pandro S. Berman | Producer |
Art | George W. Davis | Art Direction |
Camera | William H. Daniels | Director of Photography |
Art | Urie McCleary | Art Direction |
Directing | Hank Moonjean | Assistant Director |
Costume & Make-Up | Bill Thomas | Wardrobe Designer |
Costume & Make-Up | Sydney Guilaroff | Hairstylist |
Art | Richard Pefferle | Set Decoration |
Costume & Make-Up | John Truwe | Makeup Artist |
Visual Effects | J. McMillan Johnson | Visual Effects |
Costume & Make-Up | William Tuttle | Makeup Designer |
Sound | Franklin Milton | Recording Supervision |
Visual Effects | Robert R. Hoag | Visual Effects |
Production | Kathryn Hereford | Associate Producer |
Visual Effects | A. Arnold Gillespie | Visual Effects |
Crew | Charlie Picerni | Stunts |
Editing | Adrienne Fazan | Editor |
Writing | Ernest Lehman | Screenplay |