When Vicki Maloney is randomly abducted from a suburban street by a disturbed couple, she soon observes the dynamic between her captors and quickly realises she must drive a wedge between them if she is to survive.
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| Production | Jane Sullivan | Production Manager |
| Directing | Andrew Power | First Assistant Director |
| Directing | Stuart Morrice | Second Assistant Director |
| Camera | Rusty Geller | Steadicam Operator |
| Sound | Bernard Galbally | Music Supervisor |
| Sound | Kate Dean | Music Supervisor |
| Directing | Ben Young | Director |
| Production | Melissa Kelly | Producer |
| Editing | Merlin Eden | Editor |
| Camera | Michael McDermot | Director of Photography |
| Art | Clayton Jauncey | Production Design |
| Costume & Make-Up | Terri Lamera | Costume Design |
| Production | Anousha Zarkesh | Casting |
| Art | Louise Brady | Art Direction |
| Directing | David Ellis | Continuity |
| Crew | Shakir Pichler | Picture Car Coordinator |
| Costume & Make-Up | Danielle Miller | Costume Coordinator |
| Lighting | Perry Sandow | Gaffer |
| Camera | Melissa Ozich | First Assistant Camera |
| Camera | Gregory Stirling | Key Grip |
| Camera | Jean-Paul Horre | Still Photographer |
| Visual Effects | Tony Bannan | VFX Artist |
| Sound | Claire Healy | Boom Operator |
| Sound | Glenn Martin | Sound Editor |
| Sound | Trevor Hope | Sound Recordist |
| Costume & Make-Up | Hayley Atherton | Makeup Department Head |
| Costume & Make-Up | Kate Anderson | Makeup Artist |
| Sound | Dan Luscombe | Original Music Composer |
| Sound | Lisa Simpson | Foley Recordist |
| Sound | John Simpson | Foley Artist |
| Sound | Ric Curtin | Dialogue Editor |
| Sound | Ric Curtin | Sound Designer |
| Sound | Ric Curtin | Sound Re-Recording Mixer |
| Writing | Ben Young | Writer |
