In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
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| Sound | Gabriel Yared | Original Music Composer |
| Writing | Anthony Minghella | Screenplay |
| Directing | Anthony Minghella | Director |
| Production | Bob Weinstein | Executive Producer |
| Production | Alessandro von Norman | Line Producer |
| Editing | Walter Murch | Editor |
| Production | David Rubin | Casting |
| Costume & Make-Up | Ann Roth | Costume Design |
| Writing | Michael Ondaatje | Novel |
| Production | Scott Greenstein | Executive Producer |
| Production | Michelle Guish | Casting |
| Art | Stuart Craig | Production Design |
| Production | Harvey Weinstein | Executive Producer |
| Camera | John Seale | Director of Photography |
| Art | Aurelio Crugnola | Art Direction |
| Production | Saul Zaentz | Producer |
| Sound | Donald Banks | Boom Operator |
| Art | Aurelio Crugnola | Set Decoration |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Art | Deborah Ross | Title Designer |
| Costume & Make-Up | Gary Jones | Co-Costume Designer |
| Crew | Larry Kaplan | Unit Publicist |
| Sound | Chris Newman | Sound Recordist |
| Lighting | Michele Mele | Rigging Grip |
| Lighting | Giuseppe Meloni | Rigging Gaffer |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Art | Stephenie McMillan | Set Decoration |
| Art | Alessandra Querzola | Assistant Set Decoration |
| Art | John Bush | Assistant Set Decoration |
| Art | Luigi Quintili | Construction Coordinator |
| Sound | John Nutt | Dialogue Editor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | William Pine | Color Timer |
| Costume & Make-Up | Antonio Maltempo | Makeup Artist |
| Sound | Robert Randles | Music Editor |
| Production | Lynn Kamern | Unit Production Manager |
| Crew | Carolyn Choa | Choreographer |
| Art | Franco Fumagalli | Assistant Art Director |
| Visual Effects | Richard Conway | Special Effects Supervisor |
| Sound | Sara Bolder | Dialogue Editor |
| Directing | Steve E. Andrews | First Assistant Director |
| Sound | Malcolm Fife | Foley Editor |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | Ivan Sharrock | Sound Recordist |
| Costume & Make-Up | Louise Constad | Makeup Artist |
| Sound | Pat Jackson | Supervising Sound Editor |
| Directing | Emma Schofield | Second Assistant Director |
| Camera | Tommaso Mele | Key Grip |
| Art | Tony Teiger | Property Master |
| Production | Franco Ballati | Unit Production Manager |
| Directing | Dianne Dreyer | Script Supervisor |
| Art | Neil Lamont | Assistant Art Director |
| Costume & Make-Up | Giuseppe Desiato | Makeup Artist |
| Lighting | Morris Flam | Gaffer |
| Sound | Mark Levinson | ADR Supervisor |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Camera | John Seale | Camera Operator |
| Sound | Richard Duarte | Foley Mixer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Sound | Richard Quinn | ADR Editor |
| Production | Paul Zaentz | Associate Producer |
| Production | Steve E. Andrews | Associate Producer |
| Art | Tony Wright | Storyboard Artist |
| Art | Steve Clarke | Standby Painter |
| Sound | Dianna Stirpe | Dialogue Editor |
