A hot-shot architect returns home from his latest business trip with a surprise: an ornate old clock rescued out of a soon-to-be-demolished mansion in Amityville, New York, that brings about a seemingly unstoppable demonic force.
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| Writing | Christopher DeFaria | Writer |
| Writing | Antonio Toro | Writer |
| Directing | Tony Randel | Director |
| Production | Christopher DeFaria | Producer |
| Sound | Daniel Licht | Original Music Composer |
| Crew | Gary Paul | Stunt Coordinator |
| Writing | John G. Jones | Book |
| Camera | Christopher Taylor | Director of Photography |
| Editing | Rick Finney | Editor |
| Crew | Millie Novak | Stunts |
| Directing | Franklin A. Vallette | Second Assistant Director |
| Crew | Brad Overturf | Stunts |
| Crew | Tony Hugghins | Stunts |
| Art | Kim Hix | Production Design |
| Art | Natalie Pope | Set Decoration |
| Costume & Make-Up | Randall Thropp | Costume Design |
| Costume & Make-Up | Susan Reiner | Key Makeup Artist |
| Directing | Tom Milo | First Assistant Director |
| Production | Robin Monroe | Casting |
| Production | Steve White | Executive Producer |
| Production | Barry Bernardi | Executive Producer |
| Production | John G. Jones | Co-Producer |
| Production | Debbie Hayn-Cass | Unit Production Manager |
| Camera | Steven Kline | Assistant Camera |
| Camera | Steven Wagner | Second Assistant Camera |
| Camera | Christian Lamb | Camera Loader |
| Art | Nikki Hevesy | Art Department Coordinator |
| Art | Glenn M. Carrere | Leadman |
| Crew | Caroline Good | Scenic Artist |
| Crew | Rosel Weedn | Scenic Artist |
| Art | Peter Gum | Property Master |
| Art | Michael Kauffman | Props |
| Lighting | Adam Jones | Gaffer |
| Lighting | Joseph P. Clem | Best Boy Electric |
| Lighting | Donell Wiley | Electrician |
| Lighting | Patti Lee | Electrician |
| Lighting | Darryl Cowherd Jr. | Electrician |
| Sound | Claude Riggins | Sound Mixer |
| Sound | Arthur Jackson | Boom Operator |
| Camera | Denis Hann | Key Grip |
| Camera | Joseph Dianda | Best Boy Grip |
| Camera | Klaus Hoch | Dolly Grip |
| Camera | William J. McDevitt | Grip |
| Camera | Dennis Wong | Grip |
| Costume & Make-Up | Susan Reiner | Key Hair Stylist |
| Costume & Make-Up | Brenda Blatt | Makeup & Hair |
| Costume & Make-Up | Esther Eun | Wardrobe Assistant |
| Crew | Ben Rivera | Transportation Coordinator |
| Directing | Steve Gehrke | Script Supervisor |
| Production | Toni Maier | Location Manager |
| Crew | B.J. Witz | Craft Service |
| Crew | Luis G. Benavides | Craft Service |
| Production | Edward Flotard | Executive In Charge Of Production |
| Production | Jenny Fitzgibbons | Associate Producer |
| Production | Kathryn Takis | Production Coordinator |
| Production | Julian Seltzer | Production Secretary |
| Production | Diane Cornell | Accountant |
| Production | Alan Berman | Casting Associate |
| Editing | Sidney Wolinsky | Additional Editing |
| Editing | Tony Mizgalski | Associate Editor |
| Editing | Barry Zetlin | Associate Editor |
| Sound | Joseph Zappala | Sound Designer |
| Sound | Ingeborg Larson | Sound Editor |
| Sound | Melissa Peabody | Sound Editor |
| Sound | Sabrina Stephenson | Sound Editor |
| Sound | Phil Norden | Sound Editor |
| Sound | Kris Campbell | ADR Mixer |
| Sound | Steve Jaszkowiak | Foley Mixer |
| Sound | Lisa Storr Hoenack | Foley Artist |
| Sound | Ellen Heuer | Foley Artist |
| Visual Effects | Peter Kuran | Visual Effects |
