A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.
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| Writing | Richard Rush | Adaptation |
| Directing | Richard Rush | Director |
| Crew | Kenny Endoso | Stunts |
| Writing | Paul Brodeur | Novel |
| Camera | Mario Tosi | Director of Photography |
| Writing | Lawrence B. Marcus | Screenplay |
| Crew | Deanna Dae Coleman | Stunts |
| Crew | Erik Cord | Stunts |
| Sound | Dominic Frontiere | Original Music Composer |
| Crew | Tom Morga | Stunts |
| Crew | Ted Duncan | Stunts |
| Crew | Whitey Hughes | Stunts |
| Crew | Hank Calia | Stunts |
| Crew | Don Pulford | Stunts |
| Art | Michel Levesque | Assistant Art Director |
| Art | Douglas T. Madison | Property Master |
| Camera | Barry Oiffer | Assistant Camera |
| Crew | Regis Parton | Stunts |
| Camera | Tad Harrier | Best Boy Grip |
| Editing | Dolly Fendel Gordon | Assistant Editor |
| Crew | Dessie Markovsky | Post Production Supervisor |
| Crew | Gary Baxley | Stunts |
| Crew | Norman Blankenship | Stunts |
| Editing | John Carnochan | Assistant Editor |
| Production | Emile Razpopov | Post Production Coordinator |
| Crew | Walter Robles | Stunts |
| Production | Frank Beetson | Unit Production Manager |
| Camera | Peter J. Breen | Dolly Grip |
| Production | Susan Title | Production Coordinator |
| Camera | Joe Harada | Still Photographer |
| Crew | Gray Johnson | Stunt Coordinator |
| Crew | Gary Paulsen | Transportation Captain |
| Lighting | Tim Griffith | Gaffer |
| Lighting | Bob Fillis | Best Boy Electric |
| Crew | A.J. Bakunas | Stunts |
| Crew | Al Jones | Stunts |
| Sound | Cal Marks | Boom Operator |
| Crew | Larry Dunn | Stunts |
| Crew | James Winburn | Stunts |
| Directing | Frank Beetson | First Assistant Director |
| Camera | Jack Palinkas | Key Grip |
| Art | Gary Fettis | Assistant Property Master |
| Crew | Mike Johnson | Stunts |
| Crew | Dick Warlock | Stunts |
| Directing | Terry Terrill | Script Supervisor |
| Camera | Robin Krause | Still Photographer |
| Editing | Robert Leader | Editorial Coordinator |
| Crew | Vicki Hiatt | Post Production Assistant |
| Sound | James M. Tanenbaum | Sound Mixer |
| Editing | Andy Blumenthal | Assistant Editor |
| Sound | Jeff Bushelman | Sound Effects |
| Art | Roger Irvin | Construction Coordinator |
| Camera | Joel King | Camera Operator |
| Camera | Ronald Vidor | Assistant Camera |
| Editing | Diego Alex Borghello | Color Timer |
| Camera | Frank M. Holgate | Underwater Camera |
| Crew | Phil Adams | Stunts |
| Crew | Gray Johnson | Stunts |
| Directing | Paula Marcus | Second Assistant Director |
| Art | Donald Krafft | Leadman |
| Crew | Gregory J. Barnett | Stunts |
| Art | Dan Perri | Title Designer |
| Production | Richard Rush | Producer |
| Production | Paul Lewis | Associate Producer |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Editing | Caroline Biggerstaff | Editor |
| Art | James L. Schoppe | Art Direction |
| Costume & Make-Up | Tom Lucas | Makeup Artist |
| Editing | Jack Hofstra | Editor |
| Costume & Make-Up | Rosanna Norton | Costume Design |
| Art | Richard Spero | Set Decoration |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Production | Melvin Simon | Executive Producer |
| Costume & Make-Up | Marina Pedraza | Hairstylist |
| Crew | Milt Rice | Special Effects |
| Costume & Make-Up | Ken Chase | Makeup Designer |
| Sound | Arthur Piantadosi | Sound Re-Recording Mixer |
| Crew | Ross Reynolds | Pilot |
