Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.
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| Writing | Walter Bernstein | Screenplay |
| Writing | Dudley Nichols | Screenplay |
| Writing | Louis L'Amour | Novel |
| Directing | George Cukor | Director |
| Costume & Make-Up | Edith Head | Costume Design |
| Camera | James Grant | Assistant Camera |
| Camera | A. Lindsley Lane | Camera Operator |
| Production | Lewis E. Ciannelli | Associate Producer |
| Production | Marcello Girosi | Producer |
| Sound | Daniele Amfitheatrof | Original Music Composer |
| Camera | Harold Lipstein | Director of Photography |
| Directing | Arthur Rosson | Second Unit Director |
| Production | Carlo Ponti | Producer |
| Art | Grace Gregory | Set Decoration |
| Crew | Polly Burson | Stunt Double |
| Sound | Winston H. Leverett | Sound Recordist |
| Editing | Howard A. Smith | Editor |
| Art | Gene Allen | Art Direction |
| Art | Hal Pereira | Art Direction |
| Art | Sam Comer | Set Decoration |
| Costume & Make-Up | Nellie Manley | Hair Supervisor |
| Directing | Charles C. Coleman | Assistant Director |
| Sound | John Wilkinson | Sound Recordist |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
