In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.
Is The Children Act on Netflix? Yes! The movie The Children Act is now on Netflix in the countries listed below.
Production | Arron Cuthbertson | Extras Casting |
Writing | Ian McEwan | Writer |
Directing | Richard Eyre | Director |
Production | Duncan Kenworthy | Producer |
Camera | Andrew Dunn | Director of Photography |
Production | Joe Oppenheimer | Executive Producer |
Art | Sara Wan | Set Decoration |
Production | Charles Moore | Executive Producer |
Production | Beth Pattinson | Executive Producer |
Sound | Stephen Warbeck | Original Music Composer |
Art | Peter Francis | Production Design |
Production | Ben Browning | Executive Producer |
Costume & Make-Up | Fotini Dimou | Costume Design |
Art | Darren Tubby | Art Direction |
Production | Glen Basner | Executive Producer |
Art | Sue Whitaker | Art Direction |
Editing | Dan Farrell | Editor |
Production | Annabelle Hood | Production Assistant |
Production | Celia Duval | Co-Producer |
Costume & Make-Up | Doone Forsyth | Makeup & Hair |
Art | Astrid Sieben | Supervising Art Director |
Directing | Nic Pringle | Third Assistant Director |
Directing | Neil Wallace | First Assistant Director |
Sound | Adam Bourne | Foley Editor |
Production | Monique Mussell | Production Manager |
Art | Jono Moles | Construction Manager |
Production | Nina Gold | Casting |
Art | Noel Cowell | Property Master |
Directing | George Batchelor | Third Assistant Director |
Art | Frances Bennett | Graphic Designer |
Art | Roya Fraser | Assistant Set Decoration |
Costume & Make-Up | Rebecca Cole | Makeup & Hair |
Art | Lucy Moles | Construction Coordinator |
Costume & Make-Up | Naomi Donne | Makeup & Hair |
Crew | Gisela Evert | Post Production Supervisor |
Camera | Helen Fraser | Second Assistant Camera |
Sound | Brendan Nicholson | Sound Re-Recording Mixer |
Visual Effects | Chris Reynolds | Special Effects Supervisor |
Camera | Peter Ayriss | Drone Pilot |
Production | Chris Brewer | Unit Manager |
Sound | Nick Freemantle | Sound Effects Editor |
Sound | Andrew Glen | Music Editor |
Sound | Peter Burgis | Foley Artist |
Sound | Andrew Caller | Sound Re-Recording Mixer |
Sound | Emilie O'Connor | ADR & Dubbing |
Camera | Ossie McLean | Steadicam Operator |
Visual Effects | Steve Street | Visual Effects Supervisor |
Costume & Make-Up | Ann Taylor | Assistant Costume Designer |
Sound | Terry Davies | Conductor |
Sound | Jemma Riley-Tolch | Foley Editor |
Production | Martin Ware | Casting Associate |
Sound | Glen Gathard | Foley Mixer |
Camera | Sebastian Barraclough | First Assistant "B" Camera |
Lighting | David Tyler | Gaffer |
Directing | Susanna Lenton | Script Supervisor |
Art | Matt Curtis | Title Designer |
Costume & Make-Up | Tessa Phillips | Costume Supervisor |
Sound | Gillian Dodders | Dialogue Editor |
Sound | Mark Heslop | Sound Effects Editor |
Editing | Helena Evans | First Assistant Editor |
Camera | Elliot Purvis | Second Assistant "A" Camera |
Sound | Stephen Warbeck | Orchestrator |
Camera | Andrew Dunn | Camera Operator |
Camera | Nick Wall | Still Photographer |
Production | Paul Tomlinson | Location Manager |
Crew | Emma Davie | Unit Publicist |
Production | Jannika Öberg | Production Coordinator |