Trish's friends set her up on a blind-date, but when she forgets to adjust her clocks to compensate for Daylight Savings Time, she inadvertently stands her potential sweetheart up. Instead, she arrives at the venue and meets Parker, a sweet-natured but troubled paramedic who decides to play along with the oblivious Trish. The pair hit it off, but their promising romance is threatened when the case of mistaken identity is revealed.
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| Editing | Bryan Anderson | Online Editor |
| Crew | Matthew Fladell | Legal Services |
| Directing | Alex Bryant | First Assistant Director |
| Crew | Brett Miller | Transportation Coordinator |
| Editing | Alex Bryant | Colorist |
| Crew | Jason Kelly | Driver |
| Directing | Lee Andrews | Second Assistant Director |
| Production | Kent Staheli | Production Assistant |
| Crew | Bryan Thompson | Post Production Supervisor |
| Crew | Isaac Oates | Production Intern |
| Sound | James Schafer | Original Music Composer |
| Visual Effects | Anthony Straga | VFX Artist |
| Production | Elisa Jan | Executive Producer |
| Camera | John Lyde | Director of Photography |
| Art | Anthony Straga | Production Design |
| Production | AJC Pennyworth | Executive Producer |
| Production | Brian Brough | Producer |
| Production | Anthony Straga | Producer |
| Editing | Brian Brough | Editor |
| Writing | Brittany Wiscombe | Screenplay |
| Production | Pierre-Andre Rochat | Executive Producer |
| Costume & Make-Up | Sonja N. Harris | Costume Designer |
| Directing | Brian Brough | Director |
| Production | Emily Bitter | Production Coordinator |
| Directing | Emily Bitter | Script Supervisor |
| Costume & Make-Up | Danielle Donahue | Key Makeup Artist |
| Camera | Brian Brough | "B" Camera Operator |
| Lighting | Steven Madsen | Gaffer |
| Camera | Kevin Woodward | Key Grip |
| Art | Monet Devilliers | Set Decoration |
| Costume & Make-Up | Leslie Kidman | Key Hair Stylist |
| Camera | Kevin Lyde | Second Assistant Camera |
| Lighting | Dan Haskell | Best Boy Electric |
| Art | Bryce Bishop | Set Dresser |
| Visual Effects | Anthony Straga | Visual Effects Supervisor |
| Camera | John Lyde | "A" Camera Operator |
| Camera | Paul D. Green | First Assistant "A" Camera |
| Camera | KeAlii Johnson | Best Boy Grip |
| Art | Keston Wing | Props |
| Sound | Paul D. Hunt | Boom Operator |
| Production | Melanie Burningham | Production Accountant |
| Directing | BrookeLynn Millard | Second Second Assistant Director |
| Sound | Paul D. Hunt | Sound Mixer |
| Production | B.J. Alexander | Unit Production Manager |
| Camera | Scott Schaertl | First Assistant "B" Camera |
| Art | Bruce Wing | Property Master |
| Art | Arielle Wing | Props |
| Production | Gregory K. Brough | Accountant |
| Editing | Anthony Straga | Assistant Editor |
| Sound | Nate Hoffman | Supervising Sound Editor |
| Sound | James Schafer | Orchestrator |
| Sound | Nate Hoffman | Dialogue Editor |
| Sound | Nate Hoffman | Foley Artist |
| Sound | Nate Hoffman | Sound Re-Recording Mixer |
| Sound | China Khoral | Sound Effects Editor |
| Writing | Brittany Wiscombe | Writer |
