The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
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| Directing | Éric Rohmer | Director |
| Writing | Éric Rohmer | Writer |
| Camera | Néstor Almendros | Director of Photography |
| Production | Alfred de Graff | Production Manager |
| Production | Barbet Schroeder | Producer |
| Editing | Cécile Decugis | Editor |
| Art | Nicole Rachline | Production Design |
| Sound | Jacques Maumont | Sound |
| Sound | Jean-Pierre Ruh | Sound |
| Production | Pierre Cottrell | Producer |
| Camera | Philippe Rousselot | Assistant Camera |
| Production | Pierre Grimberg | Production Assistant |
| Camera | Jean-Claude Gasché | Assistant Camera |
| Camera | Emmanuel Machuel | Camera Operator |
| Editing | Christine Lecouvette | Assistant Editor |
| Sound | Alain Sempé | Sound Assistant |
