Norway, 1942, during World War II. After being separated from her family, Esther, a young Jewish girl from Trondheim, arrives at an isolated farm where she must assume a new identity in order to survive the Nazi persecution.
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| Directing | Ross Clarke | Director |
| Visual Effects | Andie Davies | VFX Editor |
| Production | Ross Clarke | Producer |
| Production | Laure Vaysse | Executive Producer |
| Production | Aku Louhimies | Co-Executive Producer |
| Sound | Rob Davidsson | ADR Mixer |
| Production | Laura Brook | Executive Producer |
| Costume & Make-Up | Anne-Lene Myklebust Karlsen | Assistant Makeup Artist |
| Sound | Jennie Evans | Dialogue Editor |
| Crew | Emil Julian Radich Slaatten | Special Effects Assistant |
| Art | Hallvard Hellem | Art Department Assistant |
| Sound | Ben Cross | Foley Mixer |
| Editing | Laura Morrod | Editor |
| Production | Bente Maalen | Production Manager |
| Art | Lene Nilssen Viken | Art Department Assistant |
| Production | Norman Merry | Executive Producer |
| Costume & Make-Up | Natalia Davadi | Makeup Artist |
| Art | Håkon Walter Iversen | Art Department Assistant |
| Sound | Jørn Ryen | Sound Mixer |
| Production | Lisa G. Black | Producer |
| Sound | Stephen Griffiths | Supervising Sound Editor |
| Production | Leon Clarance | Producer |
| Production | Brandi Savitt | Co-Executive Producer |
| Art | Åsa Nilsson | Production Design |
| Production | Joachim Lyng | Line Producer |
| Art | Kathrine Riberg Hewett | Art Department Assistant |
| Art | Victoria Wælgaard | Set Dresser |
| Sound | Geir Døhlie Gjerdsjø | Boom Operator |
| Crew | Morten Helland | Special Effects Assistant |
| Art | Eduardo Garcia-Drageseth | Property Master |
| Sound | Tom Jenkins | Sound Effects Editor |
| Sound | Ian Waggott | Foley Artist |
| Art | Marius Winje Brustad | Art Direction |
| Production | Nicolas Chartier | Executive Producer |
| Editing | Nicolas Gaster | Editor |
| Production | Deepak Nayar | Executive Producer |
| Costume & Make-Up | Anne Isene | Costume Designer |
| Directing | Therese Messel | Script Supervisor |
| Camera | Øystein Moe | Second Unit Director of Photography |
| Costume & Make-Up | Lill-Chanett Gundersen | Assistant Makeup Artist |
| Production | Jonathan Deckter | Executive Producer |
| Art | Martine Bjørnbakken Vangen | Art Department Assistant |
| Production | Ellen Michelsen | Casting Director |
| Crew | Otto Tangstad | Stunt Coordinator |
| Production | Shahbaz Aynoddin | Location Manager |
| Camera | John Christian Rosenlund | Director of Photography |
| Costume & Make-Up | Eros Codinas | Makeup Designer |
| Writing | Trond Morten Venaasen | Screenplay |
| Sound | Jim Copperthwaite | Original Music Composer |
| Art | Silje Wiedswang Larsson | Set Dresser |
| Directing | Jon Are Uhnger | First Assistant Director |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Camera | Ian Corless | Still Photographer |
| Art | Jørgen Sellevold | Art Department Assistant |
| Costume & Make-Up | Eros Codinas | Hair Designer |
| Lighting | Nicholas Messel | Gaffer |
| Camera | Morten Magnussen | Key Grip |
| Visual Effects | Pål Morten Hverven | Special Effects Supervisor |
| Visual Effects | Alexander Somma | Visual Effects Supervisor |
| Crew | Mathias Sarre Ramstad | Floor Runner |
| Sound | Yanti Windrich | ADR Recordist |
| Sound | Rob Hughes | Sound Re-Recording Mixer |
| Crew | Lucy-Jayne Murray | Stunt Double |
| Crew | Pål Morten Hverven | Stunt Driver |
