As her marriage to decorated war hero Oliver draws near, well-heeled Diana moves into an apartment within an otherwise unoccupied, sprawling London house where she starts to experience strange and terrifying nightmares. But are these troubling night terrors merely the symptom of an unsettled mind, or the sign of something far more sinister at work? Hounded by a pair of sleazy journalists, Diana soon crosses paths with American tourist Jenny, who appears to have a strange connection to the foreboding house and its dark past.
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| Production | Marilyn Johnson | Casting |
| Writing | Harley Cokeliss | Writer |
| Directing | Harley Cokeliss | Director |
| Writing | Christopher Wicking | Writer |
| Costume & Make-Up | Lesley Doyle | Wardrobe Master |
| Sound | Ron Davis | Supervising Sound Editor |
| Costume & Make-Up | Gary Bunn | Makeup Artist |
| Crew | Alexander Gunn | Special Effects Technician |
| Sound | Teddy Mason | Dialogue Editor |
| Crew | Digby Milner | Stunts |
| Crew | Simon Hewitt | Special Effects Technician |
| Crew | Elaine Ford | Stunts |
| Directing | John Dodds | Second Assistant Director |
| Sound | George Rice | Sound |
| Crew | Nick Gillard | Stunts |
| Production | David Barber | Co-Producer |
| Editing | David Martín | Editor |
| Production | David Brown | Line Producer |
| Camera | Ian Wilson | Director of Photography |
| Sound | Bill Nelson | Original Music Composer |
| Editing | Ian Crafford | Editor |
| Directing | June Randall | Script Supervisor |
| Production | Timothy Woolford | Executive Producer |
| Production | Peter Watson-Wood | Executive Producer |
| Production | Nik Powell | Executive Producer |
| Crew | Catherine de Pury | Additional Dialogue |
| Production | Jonathan Olsberg | Executive Producer |
| Art | Malcolm Stone | Art Direction |
| Art | Hugo Luczyc-Wyhowski | Production Design |
| Costume & Make-Up | Sue Blane | Costume Design |
| Production | Paul Webster | Producer |
