At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.
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| Directing | Norman Jewison | Director |
| Writing | Carroll Moore | Theatre Play |
| Writing | Norman Barasch | Theatre Play |
| Writing | Julius J. Epstein | Screenplay |
| Sound | Frank De Vol | Original Music Composer |
| Camera | Daniel L. Fapp | Director of Photography |
| Production | Harry Keller | Producer |
| Editing | J. Terry Williams | Editor |
| Art | Robert Clatworthy | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Art | John P. Austin | Set Decoration |
| Art | Oliver Emert | Set Decoration |
| Art | John McCarthy Jr. | Set Decoration |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Costume & Make-Up | Barbara Lampson | Hairstylist |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Production | Norman Deming | Unit Production Manager |
| Production | Edward Muhl | Executive In Charge Of Production |
| Directing | Douglas Green | Assistant Director |
| Sound | Joe Lapis | Sound |
| Sound | Waldon O. Watson | Sound |
| Sound | Joseph Gershenson | Music Supervisor |
| Crew | Norman Stuart | Dialogue Coach |
| Crew | David Winters | Choreographer |
| Costume & Make-Up | Jean Louis | Costume Design |
| Production | Martin Melcher | Producer |
