A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
Is The Green Mile on Netflix? Yes! The movie The Green Mile is now on Netflix in the countries listed below.
| Camera | David Tattersall | Director of Photography |
| Writing | Frank Darabont | Screenplay |
| Art | Michael Seirton | Set Decoration |
| Art | Terence Marsh | Production Design |
| Production | Frank Darabont | Producer |
| Production | David Valdes | Producer |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Sound | Thomas Newman | Original Music Composer |
| Directing | Frank Darabont | Director |
| Production | Mali Finn | Casting |
| Editing | Richard Francis-Bruce | Editor |
| Crew | Danielle Burgio | Stunts |
| Crew | Jeff Imada | Stunt Coordinator |
| Costume & Make-Up | Heather Pain | Key Costumer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Writing | Stephen King | Novel |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Crew | Fred Fein | Stand In |
| Crew | Jessica Drake | Dialect Coach |
| Crew | Tommy J. Huff | Stunts |
| Costume & Make-Up | Janis Clark | Hairstylist |
| Costume & Make-Up | Marsha Bozeman | Set Costumer |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Editing | Robert C. Lusted | First Assistant Editor |
| Crew | Kerry Rossall | Stunts |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Editing | Andrew Dickler | Assistant Editor |
| Crew | Stephen King | Thanks |
| Visual Effects | David Latour | Animation |
| Visual Effects | Rick O'Connor | Animation |
| Directing | Susan Malerstein | Script Supervisor |
| Camera | David Emmerichs | Camera Operator |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Camera | David Emmerichs | Steadicam Operator |
| Lighting | Bobby Burton | Gaffer |
| Costume & Make-Up | Nina Paskowitz | Key Hair Stylist |
| Production | L. Dean Jones Jr. | Unit Production Manager |
| Lighting | Jimmy Keys | Rigging Gaffer |
| Sound | Mark Mangini | Supervising Sound Editor |
| Art | William Cruse | Supervising Art Director |
| Art | Beatriz Kerti | Art Department Coordinator |
| Sound | Marvin E. Lewis | Boom Operator |
| Sound | Bill Bernstein | Music Editor |
| Production | Carrie Durose | Production Coordinator |
| Production | Emily Schweber | Casting Associate |
| Production | Maureen Whalen | Casting Associate |
| Camera | Willie Mann | Grip |
| Directing | Basti Van Der Woude | Second Second Assistant Director |
| Art | Sebastian Milito | Construction Coordinator |
| Directing | David M. Bernstein | Second Assistant Director |
| Directing | Alan B. Curtiss | First Assistant Director |
| Directing | Jonathan Watson | Second Assistant Director |
| Visual Effects | Charles Gibson | Visual Effects Supervisor |
| Camera | Heather Page | First Assistant Camera |
| Camera | Jon Yirak | Second Assistant Camera |
| Camera | Charles B. Katz | Second Assistant Camera |
| Editing | David Orr | Color Timer |
| Crew | Tim A. Davison | Stunts |
