A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
Is Reservoir Dogs on Netflix? Yes! The movie Reservoir Dogs is now on Netflix in the countries listed below.
| Editing | Sally Menke | Editor |
| Writing | Quentin Tarantino | Writer |
| Production | Ronna B. Wallace | Executive Producer |
| Production | Paul Hellerman | Production Manager |
| Production | Lawrence Bender | Producer |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Art | David Wasco | Production Design |
| Production | Monte Hellman | Executive Producer |
| Crew | Stephen DeLollis | Special Effects |
| Production | Richard N. Gladstein | Executive Producer |
| Crew | Rick Yale | Special Effects |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Camera | Andrzej Sekula | Director of Photography |
| Production | Ronnie Yeskel | Casting |
| Production | Harvey Keitel | Co-Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Directing | Martin Kitrosser | Script Supervisor |
| Production | Peggy Kennedy | Casting Associate |
| Crew | David Coffee | Driver |
| Crew | Marina Bailey | Unit Publicist |
| Camera | Ross Katz | Grip |
| Crew | Melanie Molyneux | Set Medic |
| Costume & Make-Up | Rachel Tanner | Hairstylist |
| Crew | Jennifer Pyken | Post Production Assistant |
| Lighting | Joey D. Brown | Electrician |
| Sound | Curt Schulkey | Sound Editor |
| Camera | Ric Urbauer | Key Grip |
| Crew | Marian Green | Stunts |
| Directing | Jamie Beardsley | First Assistant Director |
| Costume & Make-Up | Jacqueline Aronson | Set Costumer |
| Lighting | Greg R. McCullough | Gaffer |
| Sound | Dwayne S. Henkel | Boom Operator |
| Crew | John Lieberman | Thanks |
| Camera | Ziad Doueiri | First Assistant Camera |
| Production | Billy A. Fox | Location Manager |
| Crew | Jeannie H. Kelly | Craft Service |
| Art | Jonathan R. Hodges | Property Master |
| Production | R. Blaine Currier | Production Accountant |
| Art | Brett C. Smith | Leadman |
| Camera | Mark Emery Moore | Steadicam Operator |
| Crew | Wayne Alexander | Legal Services |
| Crew | James Lowder | Transportation Coordinator |
| Crew | Roger Avary | Creator |
| Costume & Make-Up | Iain Jones | Hair Designer |
| Crew | Ken Lesco | Stunt Coordinator |
| Sound | John Hulsman | Assistant Sound Editor |
| Crew | Bruce Comtois | Security |
| Crew | Ben C. Giller | Transportation Captain |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Costume & Make-Up | Mary Claire Hannan | Costume Supervisor |
| Crew | Warren Betts | Public Relations |
| Editing | Chuck Winston | Color Timer |
| Editing | Kelley Dixon | First Assistant Editor |
| Art | Marino Pascal | Location Scout |
| Crew | Suzanne Celeste | Dialect Coach |
| Production | Enid L. Kantor | Production Coordinator |
| Lighting | Jay Dahlquist | Best Boy Electric |
| Sound | Ken Segal | Production Sound Mixer |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Directing | Steven K. Thomas | Second Second Assistant Director |
| Directing | Francis R. Mahony III | First Assistant Director |
| Sound | Geoffrey G. Rubay | Supervising Sound Editor |
| Sound | David E. Stone | Sound Editor |
| Writing | Roger Avary | Writer |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Charles Ewing Smith | Sound Editor |
| Directing | Andy Spilkoman | Second Second Assistant Director |
| Camera | Dink Adams | Best Boy Grip |
| Editing | Mark Lass | Negative Cutter |
| Sound | Mary Louise Rodgers | Foley Artist |
| Directing | Kelly Kiernan | Second Assistant Director |
| Sound | Nancy Lynn Hurlbut | Assistant Music Supervisor |
| Art | Jonathan Bobbitt | Swing |
| Sound | Cecilia Perna | Foley Mixer |
| Production | Wendy Baker | Production Assistant |
| Production | Judith E. Goldman | Assistant Location Manager |
| Production | Debra Grieco | Assistant Accountant |
| Camera | Dennis K. Wilson | Dolly Grip |
| Camera | Randall Guth | Second Assistant Camera |
| Crew | Pat Domenico | Key Special Effects |
| Production | Mary Santiago | Extras Casting |
| Crew | Robert John Speer | Generator Operator |
| Directing | Quentin Tarantino | Director |
| Art | Ken Kaufman | Production Design |
| Costume & Make-Up | Wayne Toth | Special Effects Makeup Artist |
| Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
| Art | Edward J. Protiva | Swing |
| Art | Greg Wilkinson | Assistant Property Master |
| Sound | Michael Salvetta | Foley Artist |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Crew | Moose Enright | Special Effects Technician |
| Visual Effects | Dave Gregory | Visual Effects Supervisor |
| Crew | Marcia Holley | Stunts |
| Crew | Ken Lesco | Stunts |
| Crew | Pat McGroarty | Stunts |
| Lighting | Katie Nilson | Best Boy Electric |
| Camera | Chris J. Rossi | Grip |
| Camera | Alan Sherrod | Second Unit Director of Photography |
| Camera | Miles Thomas | Best Boy Grip |
| Lighting | Frank H. Woodward | Electrician |
| Production | Cheryl Faye | Extras Casting |
| Costume & Make-Up | Melinda Eshelman | Wardrobe Assistant |
| Editing | Carrie Elizabeth Foresman | First Assistant Editor |
| Editing | Boyd Steer | Negative Cutter |
| Editing | William W. Williams | First Assistant Editor |
| Editing | Nancy Perry | First Assistant Editor |
| Sound | Kathy Nelson | Music Supervisor |
| Crew | Robert John Speer | Driver |
| Crew | Roger Avary | Additional Dialogue |
| Crew | Quentin Tarantino | Additional Dialogue |
