A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.
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| Art | Airick Kredell | Set Decoration |
| Costume & Make-Up | Dan Moore | Costume Design |
| Writing | John Godey | Author |
| Art | Gene Rudolf | Production Design |
| Sound | Ry Cooder | Original Music Composer |
| Art | Troy Sizemore | Art Direction |
| Art | Ernie Bishop | Set Decoration |
| Camera | Matthew F. Leonetti | Director of Photography |
| Editing | Carmel Davies | Editor |
| Art | Christa Munro | Art Direction |
| Writing | Ken Friedman | Screenplay |
| Production | Charles Roven | Producer |
| Directing | Walter Hill | Director |
| Editing | Donn Aron | Editor |
| Editing | Freeman A. Davies | Editor |
| Directing | Allan Graf | Second Unit Director |
| Directing | Barry K. Thomas | Second Assistant Director |
| Costume & Make-Up | Michael Westmore | Special Effects Makeup Artist |
| Production | Noori Dehnahi | Post Production Coordinator |
| Production | Ted Kurdyla | Unit Production Manager |
| Sound | Jessica Galavan | Sound Editor |
| Sound | Karen G. Wilson | Sound Editor |
| Directing | James Dyer | First Assistant Director |
| Crew | Allan Graf | Stunt Coordinator |
| Sound | Frank Smathers | Sound Editor |
| Sound | Jim Weidman | Music Editor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Carolina Beroza | Assistant Sound Editor |
| Editing | Yoko Seto | First Assistant Editor |
| Sound | Jay Wilkinson | Sound Editor |
| Sound | John Morris | Sound Editor |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Sound | Jerry Ross | Supervising Sound Editor |
| Sound | Hugo Weng | Sound Editor |
| Sound | Mark Pappas | Assistant Sound Editor |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Art | Eric Fitzgerald | Title Designer |
| Art | Thomas A. Morris Jr. | Construction Coordinator |
| Costume & Make-Up | Donna Turner Culver | Hairstylist |
| Art | Frank Viviano | Construction Coordinator |
| Production | Bonnie Timmermann | Casting |
| Costume & Make-Up | Peter Tothpal | Key Hair Stylist |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Directing | Carline Davis-Dyer | Script Supervisor |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Art | Peter Clemens | Assistant Art Director |
| Visual Effects | Joseph P. Mercurio | Special Effects Supervisor |
| Production | Mae Woods | Associate Producer |
| Production | Ted Kurdyla | Associate Producer |
| Production | Andrew G. Vajna | Executive Producer |
| Camera | Michael D. Weldon | First Assistant Camera |
| Art | John Kaufman | Set Dresser |
| Camera | Stephen J. Ullman | Second Assistant Camera |
| Sound | Richard Bryce Goodman | Sound Mixer |
| Art | Airick Kredell | Leadman |
| Camera | Bill Barcroft | Grip |
| Production | Mary L. Rand | Assistant Accountant |
| Camera | Lloyd Barcroft | Best Boy Grip |
| Production | David Ross McCarty | Location Manager |
| Crew | John Alden | Stunts |
| Sound | Robert Nichols II | Sound Recordist |
| Costume & Make-Up | Michael Germain | Makeup Artist |
| Production | Jeff Block | Casting Assistant |
| Crew | Henry Kingi | Stunts |
| Crew | Carl Ciarfalio | Stunts |
| Crew | Andree Gibbs | Stunts |
| Directing | Cathy A. Roszell | Second Second Assistant Director |
| Costume & Make-Up | Ken Diaz | Makeup Artist |
| Camera | John R. Leonetti | Camera Operator |
| Crew | Wayne Edgar | Special Effects |
| Art | Richard A. Mazzochi | Property Master |
| Costume & Make-Up | Peter Tothpal | Hairstylist |
| Sound | James M. McCann | Boom Operator |
| Production | Patricia Graf | Production Secretary |
| Production | Suzanne Ryan | Casting Assistant |
| Crew | Bill McIntosh | Stunts |
| Art | Thomas Esteridge | Assistant Property Master |
| Art | Paula Mazzochi | Assistant Property Master |
| Lighting | Terry H. Neville | Lighting Technician |
| Costume & Make-Up | Colby P. Bart | Costumer |
| Costume & Make-Up | Jo Forman | Costumer |
| Production | Lloyd Leipzig | Publicist |
| Crew | Gregory J. Barnett | Stunts |
| Crew | Joe Finnegan | Stunts |
| Crew | Mel Scott-Thomas | Stunts |
| Crew | Steve Boyd | Transportation Coordinator |
| Art | David Elliott | Construction Foreman |
| Lighting | Bob Fillis | Best Boy Electric |
| Crew | Webster Whinery | Stunts |
| Art | William D. Derham | Assistant Property Master |
| Camera | Ron Phillips | Still Photographer |
| Lighting | Pat Blymyer | Gaffer |
| Production | Susan Levinson | Production Coordinator |
| Production | Marichu Walker | Production Accountant |
| Camera | John J. Linder | Key Grip |
| Camera | Johnny London Jr. | Grip |
| Camera | Alan Shultz | Grip |
| Crew | Tracy Keehn-Dashnaw | Stunts |
| Crew | Tim A. Davison | Stunts |
| Lighting | Robert Fiore | Lighting Technician |
| Camera | Antonio V. Garrido | Dolly Grip |
| Production | Allen Tinkley | Location Manager |
| Crew | Chuck E. Stewart | Special Effects |
| Production | Kathleen Herd | Production Coordinator |
| Crew | Lynn Fogg | Stunts |
| Editing | Bob Noland | Color Timer |
| Production | Richard Castleman | Extras Casting |
| Crew | Maxwell R. Johnson II | Transportation Captain |
| Crew | John Sherrod | Stunts |
| Sound | George Berndt | ADR Supervisor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Walter A. Gest | Sound Recordist |
| Production | April A. Janow | Payroll Accountant |
| Art | Chris Snyder | Construction Foreman |
| Crew | Cheryl Wheeler Duncan | Stunts |
| Production | Mario Kassar | Executive Producer |
| Sound | Hamilton Sterling | Sound Effects Editor |
