Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
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Writing | Waldo Salt | Screenplay |
Directing | John Schlesinger | Director |
Writing | Nathanael West | Novel |
Camera | Conrad L. Hall | Director of Photography |
Sound | John Barry | Original Music Composer |
Crew | Jeannie Epper | Stunts |
Production | Marion Dougherty | Casting |
Editing | Jim Clark | Editor |
Art | John J. Lloyd | Art Direction |
Art | George James Hopkins | Set Decoration |
Art | Richard Macdonald | Production Design |
Crew | Gene LeBell | Stunts |
Art | Dan Perri | Title Designer |
Costume & Make-Up | Del Armstrong | Makeup Designer |
Costume & Make-Up | Lynn Del Kail | Hair Designer |
Directing | Karen Hale Wookey | Script Supervisor |
Production | Sheldon Schrager | Unit Production Manager |
Crew | Tim Smyth | Special Effects |
Sound | Gerry Humphreys | Sound Mixer |
Crew | Marge Champion | Choreographer |
Production | Jerome Hellman | Producer |
Camera | Dave Friedman | Still Photographer |
Directing | Tim Zinnemann | Assistant Director |
Crew | Phil Adams | Stunt Coordinator |
Production | Michael Childers | Associate Producer |
Costume & Make-Up | Ann Roth | Costume Designer |
Production | Dianne Crittenden | Casting |
Production | Sheldon Schrager | Associate Producer |
Visual Effects | Albert Whitlock | Visual Effects |
Sound | David Campling | Sound Editor |
Lighting | Richard Martens | Gaffer |
Camera | Thomas Laughridge | Camera Operator |
Sound | Tom Overton | Sound Recordist |
Art | Allan Gordon | Property Master |
Crew | Michael Maslansky | Unit Publicist |