In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Is 3:10 to Yuma on Netflix? Yes! The movie 3:10 to Yuma is now on Netflix in the countries listed below.
| Directing | James Mangold | Director |
| Writing | Michael Brandt | Screenplay |
| Writing | Derek Haas | Screenplay |
| Production | Cathy Konrad | Producer |
| Camera | Phedon Papamichael | Director of Photography |
| Art | Andrew Menzies | Production Design |
| Editing | Michael McCusker | Editor |
| Costume & Make-Up | Arianne Phillips | Costume Design |
| Production | Lisa Beach | Casting |
| Production | Sarah Katzman | Casting |
| Art | Greg Berry | Art Direction |
| Art | Jay Hart | Set Decoration |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Crew | Danny Wynands | Stunts |
| Costume & Make-Up | Terry Anderson | Assistant Costume Designer |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Carlos Rosario | Assistant Costume Designer |
| Costume & Make-Up | Aleah Ames | Set Costumer |
| Costume & Make-Up | Michael Castellano | Set Costumer |
| Costume & Make-Up | Bren Cook | Set Costumer |
| Costume & Make-Up | Lorraine Crossman | Set Costumer |
| Costume & Make-Up | Juliet Hyde-White | Set Costumer |
| Costume & Make-Up | Pilar Agoyo | Seamstress |
| Costume & Make-Up | Debra Chapman | Seamstress |
| Costume & Make-Up | Wendy M. Craig | Set Costumer |
| Costume & Make-Up | Kathrine Gordon | Hair Department Head |
| Costume & Make-Up | Gloria Pasqua Casny | Key Hair Stylist |
| Costume & Make-Up | Betty Lou Skinner | Key Hair Stylist |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Costume & Make-Up | John Caglione Jr. | Makeup Artist |
| Costume & Make-Up | Lisa Taylor Roberts | Makeup Artist |
| Art | Roberta Marquez Seret | Art Department Coordinator |
| Production | Jo Edna Boldin | Casting |
| Production | Charla Bowersox | Casting Associate |
| Production | Marie A. Kohl | Casting Associate |
| Sound | Jim Schultz | Music Editor |
| Directing | Sheila Waldron | Script Supervisor |
| Crew | David Fencl | Armorer |
| Lighting | Cory Geryak | Gaffer |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Camera | Paul Sanchez | Camera Operator |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Melissa Moseley | Still Photographer |
| Camera | Richard Foreman Jr. | Still Photographer |
| Lighting | Stephen Mullen | Rigging Gaffer |
| Camera | Chip Byrd | First Assistant Camera |
| Camera | Bob Hall | First Assistant Camera |
| Camera | J. Steven Matzinger | First Assistant Camera |
| Lighting | Blake Pike | Rigging Grip |
| Camera | Philip Shanahan | First Assistant Camera |
| Crew | Freddie Hice | Stunt Coordinator |
| Crew | Ron Bolanowski | Special Effects Coordinator |
| Sound | David Betancourt | Foley |
| Sound | Dawn Fintor | Foley |
| Sound | John Murray | Foley |
| Sound | Elizabeth Rainey | Foley |
| Sound | Alicia Stevenson | Foley |
| Sound | Donald Sylvester | Sound Designer |
| Sound | Ted Caplan | Sound Effects Editor |
| Sound | Monique 'Nico' Salvato | First Assistant Sound Editor |
| Art | Dan Pemberton | Construction Coordinator |
| Crew | J.P. Jones | Property Master |
| Crew | Arthur Arndt | Carpenter |
| Crew | Colin Dennis | Carpenter |
| Editing | Shawn Broes | Digital Intermediate |
| Editing | Marisa Clayton | Digital Intermediate |
| Editing | Marcie Jastrow | Digital Intermediate |
| Crew | Sara Cueva | Visual Effects Editor |
| Visual Effects | Christina Graff | Visual Effects Producer |
| Visual Effects | Robert Stromberg | Visual Effects Supervisor |
| Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
| Visual Effects | Paul Graff | Visual Effects Supervisor |
| Visual Effects | Paulina Kuszta | Visual Effects Coordinator |
| Writing | Halsted Welles | Screenplay |
| Production | Stuart M. Besser | Unit Production Manager |
| Crew | Aaron Downing | Post Production Supervisor |
| Directing | Nicholas Mastandrea | Assistant Director |
| Crew | Alexander Mackendrick | Thanks |
| Crew | Doug Hemphill | Thanks |
| Crew | Mark Jan Wlodarkiewicz | Thanks |
| Editing | Lee Grubin | Assistant Editor |
| Production | Dixie J. Capp | Associate Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Lynwood Spinks | Executive Producer |
| Art | Kenneth Hunter | Location Scout |
| Costume & Make-Up | Pierre Barrera | Set Dressing Artist |
| Camera | Joe Bacharka | Grip |
| Lighting | Bradley Barnes | Lighting Technician |
| Production | Matthew Cardarople | Production Assistant |
| Crew | Troy Gilbert | Stunts |
| Writing | Elmore Leonard | Short Story |
| Production | Stuart M. Besser | Executive Producer |
| Directing | Maria Mantia | Second Assistant Director |
| Crew | Tad Griffith | Stunts |
| Sound | Simon Coke | Dialogue Editor |
| Camera | Mark Vargo | Second Unit Director of Photography |
| Sound | Marco Beltrami | Original Music Composer |
| Sound | Donald Sylvester | Supervising Sound Editor |
| Sound | Matthew Harrison | Foley Editor |
| Sound | Scott Curtis | Foley Editor |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Sound | Jim Stuebe | Production Sound Mixer |
| Sound | David Giammarco | Sound Mixer |
| Sound | Paul Massey | Sound Mixer |
| Crew | Faith Strongheart | Set Production Assistant |
