It is no wonder that Met audiences have gone wild over Karita Mattila’s sizzling Salome. Indisputably one of the greatest Salomes of our time, Mattila utterly incarnates Oscar Wilde’s petulant, willful, and lust-driven heroine. With Strauss’s groundbreaking music magnifying the degenerate atmosphere and building the erotic tension, this is one opera that is as shocking today as it was at its premiere in 1905.
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| Sound | Patrick Summers | Conductor |
| Writing | Hedwig Lachmann | Writer |
| Sound | Richard Strauss | Original Music Composer |
| Directing | Barbara Willis Sweete | Director |
| Sound | Jay David Saks | Music Producer |
| Production | Peter Gelb | Executive Producer |
| Production | Elena Park | Supervising Producer |
| Art | Jürgen Flimm | Production Design |
| Art | Santo Loquasto | Set Designer |
| Costume & Make-Up | Santo Loquasto | Costume Designer |
| Lighting | James F. Ingalls | Lighting Design |
| Crew | Doug Varone | Choreographer |
| Production | Mia Bongiovanni | Supervising Producer |
| Production | Louisa Briccetti | Producer |
| Production | Victoria Warivonchik | Producer |
| Crew | Ron Washburn | Technical Supervisor |
| Writing | Oscar Wilde | Theatre Play |
