In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.
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| Crew | Jackie Resch | Stunts |
| Crew | Randy Fife | Stunts |
| Crew | Mike Shanks | Stunts |
| Crew | Russell Towery | Stunts |
| Production | Arne Schmidt | Producer |
| Sound | Basil Poledouris | Original Music Composer |
| Crew | Frank Ferrara | Stunts |
| Crew | Vickie Creach | Stunts |
| Crew | Gary Combs | Stunt Coordinator |
| Directing | Paul Verhoeven | Director |
| Camera | Jost Vacano | Director of Photography |
| Crew | Jamie Bunch | Stunts |
| Camera | Sol Negrin | Additional Photography |
| Art | Miles Teves | Conceptual Illustrator |
| Production | Jon Davison | Executive Producer |
| Production | Phil Tippett | Associate Producer |
| Production | Stephen Lim | Associate Producer |
| Production | Sally Dennison | Casting |
| Production | Edward Neumeier | Co-Producer |
| Editing | Frank J. Urioste | Editor |
| Production | Julie Selzer | Casting |
| Art | William Sandell | Production Design |
| Crew | Margaret Prentice | Makeup Effects |
| Writing | Michael Miner | Writer |
| Crew | Rob Bottin | Makeup Effects |
| Writing | Edward Neumeier | Writer |
| Directing | Mark Goldblatt | Second Unit Director |
| Crew | Greg Wayne Elam | Stunts |
| Visual Effects | Phil Tippett | Visual Effects |
| Crew | Debbie Evans | Stunts |
| Crew | Jeannie Epper | Stunt Double |
| Crew | Gene LeBell | Stunts |
| Lighting | Johnny Gutierrez | Gaffer |
| Art | Gayle Simon | Art Direction |
| Sound | Steve Bartlett | Sound Designer |
| Sound | Avram D. Gold | Sound Editor |
| Sound | Donald Flick | Sound Editor |
| Costume & Make-Up | Margaret Prentice | Makeup Effects Designer |
| Sound | Michael J. Benavente | Sound Editor |
| Costume & Make-Up | Fred Lackey III | Hairstylist |
| Costume & Make-Up | Stephan Dupuis | Prosthetic Designer |
| Sound | Michael J. Kohut | Sound Re-Recording Mixer |
| Sound | Robert Wald | Sound Mixer |
| Art | Robert Gould | Set Decoration |
| Costume & Make-Up | Bart Mixon | Makeup Effects Designer |
| Sound | James Christopher | Sound Editor |
| Sound | John Pospisil | Sound Editor |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Visual Effects | Rob Bottin | Visual Effects |
| Art | John Marshall | Art Direction |
| Costume & Make-Up | Rob Bottin | Makeup Effects Designer |
| Sound | David A. Whittaker | Sound Editor |
| Costume & Make-Up | Bonnie Clevering | Hairstylist |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | Stephen Hunter Flick | Sound Editor |
| Costume & Make-Up | Carla Palmer | Makeup Artist |
| Visual Effects | Peter Kuran | Visual Effects |
| Sound | Aaron Rochin | Sound Re-Recording Mixer |
| Sound | Dan Sharp | Sound Re-Recording Mixer |
| Crew | Spiro Razatos | Stunts |
| Crew | Freddie Hice | Stunts |
| Crew | Gilbert B. Combs | Stunts |
| Crew | Lawrence A. Aeschlimann | Special Effects |
| Production | Allegra Clegg | Production Coordinator |
| Art | Bill MacSems | Property Master |
| Production | Craig Pointes | Location Manager |
| Crew | Dale L. Martin | Special Effects |
| Camera | Deana Newcomb | Still Photographer |
| Crew | William Purcell | Special Effects |
| Production | Charles Newirth | Production Manager |
| Costume & Make-Up | Janet Lucas Lawler | Costumer |
| Crew | Alvin Milliken | Transportation Coordinator |
| Art | Jerry G. Henery | Construction Foreman |
| Directing | David B. Householter | Second Assistant Director |
| Camera | John Knight | Key Grip |
| Sound | Don Broughton | Boom Operator |
| Lighting | Robert Driskell | Gaffer |
| Visual Effects | Rocco Gioffre | Matte Painter |
| Camera | Anette Haellmigk | First Assistant Camera |
| Art | Erica Rogalla | Set Dresser |
| Art | E.W. Bradford | Construction Coordinator |
| Art | James E. Tocci | Set Designer |
| Camera | Kerry Rike | Key Grip |
| Directing | Michele Panelli-Venetis | First Assistant Director |
| Crew | Randy E. Moore | Weapons Master |
| Directing | Paula Squires Asaff | Script Supervisor |
| Crew | Keith Richins | Special Effects |
| Costume & Make-Up | Joan Thomas | Costume Supervisor |
| Production | Brian Cowden | Location Manager |
| Crew | Dennis W. Milliken | Transportation Captain |
| Production | Diane L. Greenwalt | Location Manager |
| Art | Larry Langley | Construction Foreman |
| Crew | Bundy Chanock | Set Medic |
| Editing | Teressa Longo | Assistant Editor |
| Editing | Florent Danny Retz | First Assistant Editor |
| Sound | Tom Villano | Music Editor |
| Crew | Joe Finnegan | Stunts |
