Frank Corvin, ‘Hawk’ Hawkins, Jerry O'Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force's test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious ‘Ikon’ communications satellite's orbit begins to degrade and threatens to crash to Earth.
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| Directing | Clint Eastwood | Director |
| Camera | Jack N. Green | Director of Photography |
| Production | Andrew Lazar | Producer |
| Production | Phyllis Huffman | Casting |
| Production | Clint Eastwood | Producer |
| Editing | Joel Cox | Editor |
| Writing | Howard Klausner | Screenplay |
| Sound | Lennie Niehaus | Original Music Composer |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Art | Henry Bumstead | Production Design |
| Writing | Ken Kaufman | Screenplay |
| Art | Richard C. Goddard | Set Decoration |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Christopher Boyes | Sound Designer |
| Production | Daniel R. Chavez | Executive In Charge Of Production |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Sound | Bub Asman | Supervising Sound Editor |
| Camera | Ken Regan | Still Photographer |
| Sound | Flash Deros | Boom Operator |
| Sound | Walt Martin | Production Sound Mixer |
| Production | Patricia Churchill | Unit Production Manager |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Costume & Make-Up | Charlene Roberson | Makeup Artist |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Directing | Robert Lorenz | First Assistant Director |
| Directing | Tom Rooker | Assistant Director |
| Costume & Make-Up | Carol A. O'Connell | Hair Department Head |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Costume & Make-Up | Janice Alexander | Key Hair Stylist |
| Costume & Make-Up | Allan A. Apone | Makeup Artist |
| Art | Michael Sexton | Property Master |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Sound | Ken Fischer | Sound Effects Editor |
| Crew | Lars Jensvold | Visual Effects Editor |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Camera | Stephen S. Campanelli | Camera Operator |
| Lighting | John Lacy | Rigging Gaffer |
| Camera | Charles W. Wayt | Dolly Grip |
| Sound | David Farmer | Sound Designer |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Production | Carla Aucoin | Production Coordinator |
| Art | Clarence Lynn Price | Construction Coordinator |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Sound | Howard Neiman | Sound Effects Editor |
| Crew | Tony Chavez | Propmaker |
| Sound | Gary Krivacek | Sound Effects Editor |
| Art | Steven M. Saylor | Set Designer |
| Sound | Michael Dressel | Foley Editor |
| Editing | Don Roth | Assistant Editor |
| Sound | Denise Horta | ADR Editor |
| Visual Effects | Susan Greenhow | Visual Effects Coordinator |
| Art | Gary Metzen | Painter |
| Sound | Stephen Janisz | ADR Editor |
| Crew | John Bartle | Visual Effects Editor |
| Sound | Phil Benson | Sound Effects Editor |
| Sound | Anthony Milch | Sound Effects Editor |
| Visual Effects | Lisa Todd | Visual Effects Coordinator |
| Visual Effects | Judith Weaver | Visual Effects Producer |
| Camera | Pete Romano | Underwater Director of Photography |
| Art | Bobby Joe Garren | Greensman |
| Sound | Bob Beher | Foley Editor |
| Crew | Nicolas Anastassiou | Visual Effects Editor |
| Lighting | Tom Stern | Chief Lighting Technician |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Sound | Donald Harris | Music Editor |
| Sound | Teresa Eckton | Sound Effects Editor |
| Sound | Jason King | Sound Editor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Visual Effects | Dana Friedman | Visual Effects Producer |
| Lighting | Bud Heller | Rigging Grip |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Art | Bruce West | Set Designer |
| Visual Effects | Nelson Cabrera | Visual Effects Coordinator |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Sound | Ken Fischer | Sound Editor |
| Sound | Scott Guitteau | Sound Effects Editor |
| Camera | Charles Saldaña | Key Grip |
| Production | Kokayi Ampah | Location Manager |
| Sound | Gloria D'Alessandro | Supervising ADR Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Production | Sari E. Keigley | Casting |
| Costume & Make-Up | Darryl M. Athons | Set Costumer |
| Production | Janet Farris | Casting Assistant |
| Editing | Bob Kaiser | Color Timer |
| Production | Olivia Harris | Casting Associate |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Production | Liz Keigley | Casting |
| Costume & Make-Up | Steve Ellsworth | Set Costumer |
| Editing | Gary D. Roach | Assistant Editor |
| Editing | Mo Henry | Negative Cutter |
| Editing | Doug Jones | Negative Cutter |
| Editing | Tim Safarik | Colorist |
| Sound | Coya Elliott | Assistant Sound Editor |
