Frank Corvin, ‘Hawk’ Hawkins, Jerry O'Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force's test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious ‘Ikon’ communications satellite's orbit begins to degrade and threatens to crash to Earth.
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Writing | Howard Klausner | Screenplay |
Production | Clint Eastwood | Producer |
Directing | Clint Eastwood | Director |
Sound | Lennie Niehaus | Original Music Composer |
Camera | Jack N. Green | Director of Photography |
Editing | Joel Cox | Editor |
Production | Phyllis Huffman | Casting |
Production | Andrew Lazar | Producer |
Art | Henry Bumstead | Production Design |
Art | Jack G. Taylor Jr. | Art Direction |
Costume & Make-Up | Deborah Hopper | Costume Design |
Writing | Ken Kaufman | Screenplay |
Sound | Christopher Boyes | Sound Re-Recording Mixer |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Sound | Walt Martin | Production Sound Mixer |
Production | Daniel R. Chavez | Executive In Charge Of Production |
Camera | Ken Regan | Still Photographer |
Art | Richard C. Goddard | Set Decoration |
Sound | Flash Deros | Boom Operator |
Sound | Bub Asman | Supervising Sound Editor |
Production | Patricia Churchill | Unit Production Manager |
Sound | Christopher Boyes | Sound Designer |
Directing | Mable Lawson-McCrary | Script Supervisor |
Sound | Alan Robert Murray | Supervising Sound Editor |
Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
Directing | Tom Rooker | Assistant Director |
Costume & Make-Up | Tania McComas | Key Makeup Artist |
Costume & Make-Up | Allan A. Apone | Makeup Artist |
Costume & Make-Up | Charlene Roberson | Makeup Artist |
Costume & Make-Up | Carol A. O'Connell | Hair Department Head |
Costume & Make-Up | Janice Alexander | Key Hair Stylist |
Directing | Robert Lorenz | First Assistant Director |
Art | Joseph G. Pacelli Jr. | Set Designer |
Art | Steven M. Saylor | Set Designer |
Crew | Tony Chavez | Propmaker |
Sound | Gary Krivacek | Sound Effects Editor |
Art | Clarence Lynn Price | Construction Coordinator |
Sound | Ken Fischer | Sound Editor |
Visual Effects | Nelson Cabrera | Visual Effects Coordinator |
Visual Effects | Lisa Todd | Visual Effects Coordinator |
Visual Effects | Judith Weaver | Visual Effects Producer |
Sound | Phil Benson | Sound Effects Editor |
Sound | Juno J. Ellis | Supervising ADR Editor |
Sound | David Farmer | Sound Designer |
Visual Effects | Dana Friedman | Visual Effects Producer |
Camera | Stephen S. Campanelli | Camera Operator |
Camera | Charles W. Wayt | Dolly Grip |
Sound | Teresa Eckton | Sound Effects Editor |
Sound | Anthony Milch | Sound Effects Editor |
Visual Effects | John Frazier | Special Effects Supervisor |
Production | Kokayi Ampah | Location Manager |
Production | Carla Aucoin | Production Coordinator |
Sound | Bob Beher | Foley Editor |
Sound | Stephen Janisz | ADR Editor |
Crew | Nicolas Anastassiou | Visual Effects Editor |
Visual Effects | Michael Owens | Visual Effects Supervisor |
Lighting | Tom Stern | Chief Lighting Technician |
Art | Gary Metzen | Painter |
Crew | John Bartle | Visual Effects Editor |
Crew | Lars Jensvold | Visual Effects Editor |
Lighting | Bud Heller | Rigging Grip |
Editing | Don Roth | Assistant Editor |
Sound | Donald Harris | Music Editor |
Art | Bruce West | Set Designer |
Sound | Scott Guitteau | Sound Effects Editor |
Sound | Howard Neiman | Sound Effects Editor |
Camera | Charles Saldaña | Key Grip |
Art | Bobby Joe Garren | Greensman |
Sound | Denise Horta | ADR Editor |
Visual Effects | Susan Greenhow | Visual Effects Coordinator |
Sound | Michael Dressel | Foley Editor |
Sound | Jason King | Sound Editor |
Sound | Glenn Hoskinson | Sound Effects Editor |
Crew | Buddy Van Horn | Stunt Coordinator |
Lighting | John Lacy | Rigging Gaffer |
Costume & Make-Up | Lynda Foote | Key Costumer |
Camera | Pete Romano | Underwater Director of Photography |
Art | Michael Sexton | Property Master |
Sound | Ken Fischer | Sound Effects Editor |
Camera | Stephen S. Campanelli | Steadicam Operator |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Sound | Gloria D'Alessandro | Dialogue Editor |
Sound | Mildred Iatrou | Dialogue Editor |
Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
Sound | Gloria D'Alessandro | Supervising ADR Editor |
Costume & Make-Up | Darryl M. Athons | Set Costumer |
Production | Janet Farris | Casting Assistant |
Production | Sari E. Keigley | Casting |
Production | Olivia Harris | Casting Associate |
Editing | Doug Jones | Negative Cutter |
Costume & Make-Up | Ann Culotta | Set Costumer |
Costume & Make-Up | Steve Ellsworth | Set Costumer |
Editing | Gary D. Roach | Assistant Editor |
Editing | Bob Kaiser | Color Timer |
Production | Liz Keigley | Casting |
Editing | Tim Safarik | Colorist |
Editing | Mo Henry | Negative Cutter |
Sound | Coya Elliott | Assistant Sound Editor |