Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.
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| Camera | Zoltán Dévényi | Director of Photography |
| Crew | Alan K. Rode | Technical Advisor |
| Art | Kata Kiss | Set Decoration |
| Editing | Eszter Bodoky | Editor |
| Production | Jeff Hammer | Associate Producer |
| Production | Dániel Antonovits | Casting Director |
| Sound | Gergely Nagy | Boom Operator |
| Sound | Claudia Sümeghy | Music Supervisor |
| Camera | Gábor Stiglincz | Still Photographer |
| Sound | Ferenc Bukovszky | Sound Recordist |
| Production | Claudia Sümeghy | Post Production Coordinator |
| Directing | Ágnes Kiss | Script Supervisor |
| Production | Lili Bordán | Associate Producer |
| Production | Eszter Fixek | Production Manager |
| Directing | Tamás Kulcsár | First Assistant Director |
| Writing | Tamás Yvan Topolánszky | Screenplay |
| Writing | Tamás Kiss | Script Consultant |
| Lighting | András Szendrõ | Gaffer |
| Costume & Make-Up | János Breckl | Costume Designer |
| Sound | Imre Madácsi | Sound Designer |
| Directing | Péter Dóczé | Third Assistant Director |
| Crew | Tamás Yvan Topolánszky | Post Production Supervisor |
| Costume & Make-Up | Mónika Szabó | Key Hair Stylist |
| Directing | Péter Pálinkás | Second Assistant Director |
| Art | Emil Goodman | Title Designer |
| Art | Dorka Kiss | Production Design |
| Costume & Make-Up | Éva Kolontáry | Key Hair Stylist |
| Camera | Imre Richárd Herczeg | Key Grip |
| Editing | Zsolt Iván Varga | Colorist |
| Writing | Zsuzsanna Bak | Screenplay |
| Writing | Attila Gigor | Script Consultant |
| Camera | Katalin Vasali | Still Photographer |
| Art | Balázs Szatmári | Property Master |
| Camera | Lajos Simon | Key Grip |
| Art | Dániel Bíró | Property Master |
| Sound | Tímea Agg | Sound Designer |
| Art | Luca Anna Molnár | Title Designer |
| Production | Tamás Yvan Topolánszky | Casting Director |
| Visual Effects | Ferenc Deák | Special Effects Supervisor |
| Art | Tamás Yvan Topolánszky | Title Designer |
| Costume & Make-Up | Karolina Árpa | Key Makeup Artist |
| Production | Róbert Erdélyi | Associate Producer |
| Sound | Gábor Subicz | Original Music Composer |
| Production | Ákos Hoboth | Location Manager |
| Writing | Ward Parry | Co-Writer |
| Art | Júlia Sebök | Graphic Designer |
| Visual Effects | István Vajda | Visual Effects Supervisor |
| Crew | Stefano Gallini-Durante | Thanks |
| Directing | Tamás Yvan Topolánszky | Director |
| Production | Barnabás Hutlassa | Producer |
| Production | Claudia Sümeghy | Producer |
| Production | Orian Williams | Executive Producer |
| Production | Judit Romwalter | Co-Producer |
| Production | Tamás Yvan Topolánszky | Producer |
