By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.
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| Directing | Olivier Monssens | Director |
| Writing | Olivier Monssens | Writer |
| Camera | Guillaume Brault | Camera Operator |
| Production | Isabelle Christiaens | Producer |
| Production | Laurent Ramamonjiarisoa | Associate Producer |
| Sound | Alexander von Zündt | Sound |
| Production | Naëlle Samri | Producer |
| Production | Christophe Février | Associate Producer |
| Editing | Guillaume Philippon | Editor |
| Editing | Cédric de Bernardi | Assistant Editor |
| Editing | Julia Perrin | Assistant Editor |
| Sound | Benjamin Schoos | Original Music Composer |
| Production | Heike Lettau | Producer |
| Sound | Jean-Christophe Lion | Sound |
| Sound | Sam Beneitone | Sound |
| Sound | Alberto Vismara | Sound |
| Sound | Jean-Luc Fichefet | Sound |
| Art | Boris Wilmot | Graphic Designer |
| Sound | Ludovic Lasserre | Sound |
| Production | Véronique Ménard | Executive Producer |
| Production | Guillaume Roy | Producer |
| Production | Patrick Lauber | Producer |
| Camera | François Roland | Camera Operator |
| Camera | Denis Dufays | Camera Operator |
| Production | Michaël Grassi | Producer |
| Camera | Benjamin Huguet | Camera Operator |
| Sound | Guido Lerner | Sound |
| Sound | Vincent van Driesten | Sound Mixer |
| Production | Ronald Leclercq | Production Director |
| Production | Michèle Legin | Producer |
| Production | Yann Grasland | Researcher |
