Special prosecutor John Conroy hopes to combat organized crime in his city and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship with John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense.
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| Directing | William Dieterle | Director |
| Production | Irving Asher | Producer |
| Writing | Horace McCoy | Story |
| Camera | Lionel Lindon | Director of Photography |
| Editing | George Tomasini | Editor |
| Crew | Gordon Jennings | Special Effects |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Crew | Farciot Edouart | Special Effects Technician |
| Sound | Irvin Talbot | Music Director |
| Sound | Gene Merritt | Sound Recordist |
| Sound | John Cope | Sound Recordist |
| Costume & Make-Up | Edith Head | Costume Design |
| Art | Sam Comer | Set Decoration |
| Art | J. McMillan Johnson | Art Direction |
| Art | Hal Pereira | Art Direction |
| Art | Grace Gregory | Set Decoration |
| Writing | Warren Duff | Screenplay |
| Directing | Michael D. Moore | Assistant Director |
