1943. The affair between Anna, unhappily married to wheelchair-bound Pino, and deserter Franco unfolds in foggy Ferrara, intertwining with the power struggle taking place within local Fascist ranks that culminates in a massacre of civilians, including Franco's father – Pino sees it all from his window, but will he tell anyone?
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| Writing | Florestano Vancini | Adaptation |
| Production | Marcello Papaleo | Production Secretary |
| Camera | Dario Di Palma | Camera Operator |
| Art | Ugo Pericoli | Set Decoration |
| Crew | Giovanni Stacchini | Special Effects |
| Camera | Divo Cavicchioli | Still Photographer |
| Costume & Make-Up | Mimma Olivieri | Seamstress |
| Production | Sante Chimirri | Line Producer |
| Production | Gianni Minervini | Production Assistant |
| Production | Vittorio Musy Glori | Production Manager |
| Camera | Giovanni Bonivento | Assistant Camera |
| Directing | Renzo Ragazzi | Second Assistant Director |
| Costume & Make-Up | Agnese Tonini | Seamstress |
| Directing | Florestano Vancini | Director |
| Writing | Pier Paolo Pasolini | Screenplay |
| Writing | Giorgio Bassani | Novel |
| Directing | Marco Leto | First Assistant Director |
| Writing | Ennio De Concini | Screenplay |
| Production | Alessandro Jacovoni | Producer |
| Production | Tonino Cervi | Producer |
| Art | Carlo Egidi | Production Design |
| Editing | Nino Baragli | Editor |
| Sound | Mario Amari | Sound |
| Writing | Florestano Vancini | Screenplay |
| Costume & Make-Up | Thea Boggiatto | Makeup Artist |
| Costume & Make-Up | Pier Luigi Pizzi | Costume Design |
| Editing | Elvira Tonini | Assistant Editor |
| Sound | Carlo Rustichelli | Original Music Composer |
| Sound | Luigi Urbini | Conductor |
| Costume & Make-Up | Iole Cecchini | Hairstylist |
| Camera | Carlo Di Palma | Director of Photography |
