The war against terrorism has gone private. War has always been a profitable business, so having private corporations field their own armies to fight against terrorism is just good business. Who else could protect those innocent bunnies from the religiously fervent turbaned camel fanatics. It falls upon a small cadre of seasoned furry rabbit soldiers to take the battle to the camel's home turf.Derived from a popular Vietnam-conflict based manga series called Apocalypse Meow , this sequel series uses animal characters to tell the story of the war against terrorism fought in distant countries. Non-human cast of characters notwithstanding, this compelling and painstakingly-researched work places an emphasis on factualism in order to accurately portray the weapons and tactics used by soldiers.
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| Directing | Kazuya Sasahara | Director |
| Art | Tomohisa Ishikawa | Art Direction |
| Sound | Shinji Tsutsumi | Sound Effects |
| Visual Effects | Kazuyuki Ono | Modeling |
| Visual Effects | Kimihiro Ueno | Modelling Supervisor |
| Visual Effects | Kazuo Miyamoto | Modelling Supervisor |
| Sound | Kakeru Ishihama | Original Music Composer |
| Sound | Keiichi Okabe | Sound Post Production Coordinator |
| Visual Effects | Katsuyoshi Yoshizawa | Effects Supervisor |
| Sound | Ryuichi Takada | Original Music Composer |
| Visual Effects | Hosei Takakubo | Pre-Visualization Coordinator |
| Visual Effects | Suguru Tanaka | Modeling |
| Art | Junpei Azuma | Prop Designer |
| Art | Yoshiyuki Okada | Concept Artist |
| Visual Effects | Kenji Arakawa | Modeling |
| Art | Nozomi Ishii | Prop Designer |
| Production | Yoichiro Kiyota | Co-Producer |
| Visual Effects | Takahiro Miura | Pre-Visualization Supervisor |
| Visual Effects | Hirobumi Okuyama | Modeling |
| Crew | Toru Okazawa | Compositor |
| Production | Naoto Kimura | Co-Producer |
| Production | Shinya Nakahara | Executive Producer |
| Editing | Makoto Seki | Editor |
| Art | Shinji Tsutsumi | Prop Designer |
| Visual Effects | Toru Okazawa | Modeling |
| Visual Effects | Masaki Suyama | Visual Effects |
| Visual Effects | Yuta Takeuchi | Visual Effects |
| Crew | Kazuyuki Ono | Compositor |
| Visual Effects | Kazuki Eigen | Animation |
| Crew | Tomoya Saito | Thanks |
| Art | Asahi Ono | Background Designer |
| Art | Nobunao Ono | Background Designer |
| Crew | Tetsuya Sonoda | Thanks |
| Visual Effects | Takahiko Kawamura | Modeling |
| Crew | Kenji Nishino | Systems Administrators & Support |
| Crew | Noboru Oki | Thanks |
| Crew | Kazuo Mitsuyama | Compositor |
| Visual Effects | Manabu Konno | Animation Director |
| Art | Asuka Ogiwara | Background Designer |
| Art | Daisuke Ino | Additional Construction |
| Visual Effects | Masagoro Tsuda | Animation |
| Crew | Masataka Koyama | Thanks |
| Art | Akihiro Matsuo | Background Designer |
| Production | Yasumasa Kutami | Business Affairs Coordinator |
| Crew | Kei Yonezuka | Production Controller |
| Crew | Kaori Nishimoto | Thanks |
| Crew | Kei Ogasawara | Thanks |
| Visual Effects | Makoto Seki | Animation |
| Visual Effects | Hidekazu Yamada | Animation |
| Crew | Shigeyoshi Takahashi | Systems Administrators & Support |
| Visual Effects | Kiyonobu Kitada | Modelling Supervisor |
| Art | Naoki Kumazawa | Background Designer |
| Art | Tomohiro Kagawa | Background Designer |
| Visual Effects | Taiyo Hasegawa | Pre-Visualization Supervisor |
| Visual Effects | Takahiro Miura | Animation Director |
| Crew | Kazunori Kono | Title Graphics |
| Art | Michito Nishino | Background Designer |
| Production | Tomoyuki Hasegawa | Researcher |
| Crew | Takeru Nakajima | Thanks |
| Crew | Takayuki Tanaka | Thanks |
| Visual Effects | Takuma Okuno | Animation |
| Writing | Kazuya Sasahara | Screenplay |
| Crew | Motofumi Kobayashi | Creator |
| Writing | Hiroshi Sekisakai | Screenplay |
| Production | Junya Okabe | Producer |
