Los Angeles, California. Officer Murphy, a veteran Metropolitan Police helicopter pilot suffering from severe trauma due to his harsh experiences during the Vietnam War, and Lymangood, his resourceful new partner, are tasked with testing an advanced and heavily armed experimental chopper known as Blue Thunder.
Is Blue Thunder on Netflix? Yes! The movie Blue Thunder is now on Netflix in the countries listed below.
| Production | Phil Feldman | Executive Producer |
| Production | Gordon Carroll | Producer |
| Editing | Frank Morriss | Editor |
| Directing | John Badham | Director |
| Crew | Peter Albiez | Special Effects |
| Camera | Bruce W. Talamon | Still Photographer |
| Art | Sydney Z. Litwack | Art Direction |
| Directing | James W. Gavin | Second Unit Director |
| Art | Fred Tuch | Production Illustrator |
| Camera | Bud Heller | Key Grip |
| Writing | Dan O'Bannon | Screenplay |
| Directing | Tom Davies | Second Assistant Director |
| Directing | Kevin G. Cremin | Second Unit First Assistant Director |
| Art | Al Litteken | Construction Coordinator |
| Sound | Arthur Ottinger | Sound Effects Editor |
| Crew | Kevin P. Donnelly | Stunt Double |
| Directing | Trish Kinney | Script Supervisor |
| Art | Ken Zimmerman | Assistant Property Master |
| Sound | John Glascock | Sound Mixer |
| Crew | Jeff Jarvis | Special Effects |
| Sound | Robert Knudson | Sound Re-Recording Mixer |
| Sound | Tim Cooney | Sound Mixer |
| Writing | Don Jakoby | Screenplay |
| Camera | Mike Ferris | Camera Operator |
| Art | Petko Kadiev | Production Illustrator |
| Sound | Milton C. Burrow | Sound Effects Editor |
| Camera | David B. Nowell | Camera Operator |
| Visual Effects | Chuck Gaspar | Special Effects Supervisor |
| Production | John James | Location Manager |
| Art | Catie Bangs | Set Designer |
| Art | Larry C. Bird | Property Master |
| Costume & Make-Up | Norman Burza | Costumer |
| Directing | Terry Leonard | Second Unit Director |
| Production | John G. Wilson | Unit Production Manager |
| Sound | David Horton Sr. | Sound Effects Editor |
| Sound | Larry Stensvold | Sound Re-Recording Mixer |
| Directing | Daniel McCauley | First Assistant Director |
| Production | Pennie DuPont | Casting Assistant |
| Lighting | Stu Pohn | Gaffer |
| Sound | Robert A. Reich | Sound Effects Editor |
| Production | Phil Rawlins | Unit Production Manager |
| Directing | Jerry Ziesmer | First Assistant Director |
| Directing | Chris Soldo | Second Assistant Director |
| Camera | Frank M. Holgate | Aerial Camera |
| Art | Bernie Cutler | Assistant Art Director |
| Production | Rob Harland | Location Manager |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | William L. Manger | Supervising Sound Effects Editor |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Crew | Calvin Brown | Utility Stunts |
| Sound | Scott Burrow | Sound Effects Editor |
| Sound | Chester Slomka | Sound Effects Editor |
| Crew | Glory Fioramonti | Stunts |
| Crew | Kenny Endoso | Stunts |
| Costume & Make-Up | Marianna Elliott | Costume Designer |
| Art | Mickey S. Michaels | Set Decoration |
| Production | Dianne Crittenden | Casting |
| Costume & Make-Up | Greg LaCava | Makeup Artist |
| Production | Gregg Champion | Associate Producer |
| Sound | Arthur B. Rubinstein | Original Music Composer |
| Costume & Make-Up | Stephen Elsbree | Hairstylist |
| Production | Andrew Fogelson | Executive Producer |
| Editing | Edward M. Abroms | Editor |
| Camera | John A. Alonzo | Director of Photography |
| Crew | Tony Brubaker | Stunts |
| Crew | Gary McLarty | Stunts |
| Crew | Gregory J. Barnett | Stunts |
