A joint task force operation between the Drug Enforcement Administration and the U.S. Army has been formed to dismantle one of the largest drug cartels operating in South America. Multiple attempts to assault the cartel's mountainous compound have been thwarted by a Scorpion-attack helicopter piloted by a cartel leader, Eric Stoller (Bert Rhine). After having several aircraft shot down, most notably a pair of UH–60 Black Hawks and their AH–1 Cobra escorts, the army turns to the new AH–64 Apache attack helicopter, which can match its enemies' maneuverability and firepower.
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Directing | David Green | Director |
Sound | David Newman | Original Music Composer |
Camera | Tony Imi | Director of Photography |
Editing | Norman Buckley | Editor |
Production | Bill Badalato | Producer |
Crew | Donna Evans | Stunts |
Production | Maria Norman | Producer's Assistant |
Production | Mike Fenton | Casting |
Production | Judy Taylor | Casting |
Production | Valorie Massalas | Casting |
Production | John K. Swensson | Co-Producer |
Production | Dale Dye | Co-Producer |
Costume & Make-Up | Ellis Cohen | Costume Design |
Sound | Peter Afterman | Music Supervisor |
Production | Susan Zwerman | Unit Production Manager |
Directing | Matt Earl Beesley | First Assistant Director |
Directing | Jeffrey Wetzel | Second Assistant Director |
Editing | Jon Poll | Editor |
Editing | Dennis M. O'Connor | Editor |
Art | Joseph T. Garrity | Production Design |
Production | Arnold Kopelson | Executive Producer |
Production | Keith Barish | Executive Producer |
Writing | Step Tyner | Story |
Writing | John K. Swensson | Story |
Writing | Dale Dye | Story |
Writing | Nick Thiel | Screenplay |
Writing | Paul F. Edwards | Screenplay |
Crew | Dennis Madalone | Stunt Coordinator |
Art | Pat Tagliaferro | Art Direction |
Editing | Greg Hayden | Associate Editor |
Camera | John Ward | Camera Operator |
Camera | John Ward | Steadicam Operator |
Directing | Marilyn Bailey | Script Supervisor |
Crew | Mike Menzel | Special Effects Coordinator |
Art | Jerie Kelter | Set Decoration |
Art | Robert Lucas | Leadman |
Art | Debi Shirk Tagliaferro | Art Department Coordinator |
Art | Bill Rea | Set Designer |
Art | Philip A. Margraff | Construction Coordinator |
Art | Rick Galbraith | Construction Foreman |
Art | Ken Deubel III | Painter |
Costume & Make-Up | Michael Hancock | Makeup Artist |
Costume & Make-Up | Fríða Aradóttir | Hairstylist |
Costume & Make-Up | Karoly Balazs | Hairstylist |
Costume & Make-Up | Wade Daily | Assistant Makeup Artist |
Costume & Make-Up | Wade Daily | Assistant Hairstylist |
Camera | Gene Poole | Key Grip |
Camera | Logan R. Berkshire | Best Boy Grip |
Production | Brian O. Haynes | Location Manager |
Production | Harriet Katz-Stevens | Production Accountant |
Crew | Kimberley Coy | Unit Publicist |
Crew | David Menapace | Transportation Coordinator |
Production | Brad Arensman | Executive In Charge Of Post Production |
Sound | Tom C. McCarthy | Supervising Sound Editor |
Sound | Fred Judkins | Supervising Sound Editor |
Production | Barbara Harris | ADR Voice Casting |
Art | Neal Thompson | Title Designer |
Sound | J.H. Arrufat | Sound Editor |
Sound | Stu Bernstein | Sound Editor |
Sound | Stuart Chasmar | Sound Editor |
Sound | Samuel C. Crutcher | Sound Editor |
Sound | Golden Felton | Sound Editor |
Sound | Jeremy J. Gordon | Sound Editor |
Sound | Doug Jackson | Sound Editor |
Sound | R.J. Kizer | Sound Editor |
Sound | Gary Krivacek | Sound Editor |
Sound | Victor B. Lackey | Sound Editor |
Sound | Barry Rubinow | Sound Editor |
Sound | Sherman Waze | Sound Editor |
Sound | John O. Wilde | Sound Editor |