Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
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Visual Effects | Juan José López | Animation |
Visual Effects | Claudio J. Rodríguez | Visual Effects |
Costume & Make-Up | Luis Fernando Ferreyra | Makeup Artist |
Visual Effects | Juan José López | Visual Effects |
Visual Effects | Claudio J. Rodríguez | Animation |
Production | Martín Bulacio | Production Assistant |
Production | Gabriel Giménez | Production Assistant |
Sound | Javier Ruiz | Sound Recordist |
Costume & Make-Up | Mayra Alejandra Lugones | Makeup Artist |
Costume & Make-Up | Franco Altamiranda | Makeup Artist |
Camera | Nicolás Núñez | Still Photographer |
Production | Pablo Schembri | Producer |
Sound | Fabián Gramajo | Assistant Sound Engineer |
Sound | Javier Ruiz | Sound Director |
Camera | Adrián Di Toro | Key Grip |
Art | Juan José López | Graphic Designer |
Art | Mariano Laguzzi | Assistant Director of Photography |
Art | Pablo Schembri | Graphic Designer |
Art | Agostina Cuolantoni | Assistant Director of Photography |
Art | Claudio J. Rodríguez | Graphic Designer |
Editing | Franco Cruz | Editor |
Writing | Pablo Schembri | Writer |
Directing | Pablo Schembri | Director |
Production | Mariel Bomczuk | Executive Producer |
Sound | Javier Ruiz | Original Music Composer |
Camera | Guido De Paula | Director of Photography |
Sound | Javier Ruiz | Sound Designer |
Editing | Mariela Giles Bastía | Color Grading |
Production | Nicolás Batlle | Executive Producer |
Production | Luz Mariel Salas | Executive Producer |