A rich businessman makes a bet he can survive on the streets of a rough Los Angeles neighborhood for 30 days completely penniless. During his stay he discovers another side of life and falls in love with a homeless woman.
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| Directing | Mel Brooks | Director |
| Writing | Mel Brooks | Screenplay |
| Production | Mel Brooks | Producer |
| Sound | John Morris | Original Music Composer |
| Editing | Michael Mulconery | Editor |
| Crew | Dick Ziker | Stunts |
| Production | Kim Kurumada | Associate Producer |
| Production | Ezra Swerdlow | Executive Producer |
| Camera | Steven Poster | Director of Photography |
| Editing | David Rawlins | Editor |
| Editing | Anthony Redman | Editor |
| Production | Bill Shepard | Casting |
| Production | Todd M. Thaler | Casting |
| Art | Peter S. Larkin | Production Design |
| Art | Josan F. Russo | Art Direction |
| Art | Marvin March | Set Decoration |
| Costume & Make-Up | Mary Malin | Costume Design |
| Costume & Make-Up | Fred C. Blau Jr. | Makeup Department Head |
| Costume & Make-Up | Mark Bussan | Makeup Artist |
| Costume & Make-Up | Carolyn Elias | Hairstylist |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Costume & Make-Up | Dianne Roberson | Hairstylist |
| Costume & Make-Up | Eugenia Weston | Makeup Artist |
| Crew | Gary McLarty | Stunts |
| Writing | Ron Clark | Story |
| Writing | Rudy De Luca | Story |
| Writing | Mel Brooks | Story |
| Writing | Steve Haberman | Story |
| Writing | Steve Haberman | Screenplay |
| Writing | Rudy De Luca | Screenplay |
| Crew | Jesse Wayne | Stunts |
| Crew | Richard M. Ellis | Stunts |
| Crew | Don Pulford | Stunts |
| Crew | Denise Lynne Roberts | Stunts |
| Crew | Justin De Rosa | Stunts |
| Crew | Steve Boyum | Stunts |
| Crew | Billy Hank Hooker | Stunts |
| Crew | Steve M. Davison | Stunts |
| Production | Kim Kurumada | Production Manager |
| Directing | Mitchell Bock | First Assistant Director |
| Directing | Martha Elcan | Second Assistant Director |
| Directing | Albert Cho | Second Assistant Director |
| Directing | Catherine Schlesinger | Second Assistant Director |
| Art | Carroll Johnston | Set Designer |
| Camera | George Kohut | Camera Operator |
| Camera | John Koester | Additional Camera |
| Camera | Norman Edward Parker | First Assistant Camera |
| Camera | Brian T. Pitts | Second Assistant Camera |
| Camera | Paul Plannette | Camera Loader |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Lighting | David Burnett | Best Boy Electrician |
| Camera | Robert Gray | Key Grip |
| Camera | Rick Rader | Best Boy Grip |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Marvin E. Lewis | Boom Operator |
| Sound | Robert W. Harris | Utility Sound |
| Art | Jack M. Marino | Property Master |
| Directing | Judi Townsend | Script Supervisor |
| Editing | Darren T. Holmes | Assistant Editor |
| Editing | Ben Williams | Assistant Editor |
| Editing | Albert Coleman | Assistant Editor |
| Editing | Dennis Newman | Assistant Editor |
| Sound | Eugene Marks | Music Editor |
| Crew | Leah Zappy | Post Production Supervisor |
| Production | Paula Benson-Himes | Production Coordinator |
| Costume & Make-Up | Paki Wolfe | Assistant Costume Designer |
| Crew | Jeffrey Hornaday | Choreographer |
| Sound | John Richards | Scoring Mixer |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Sound | Tom Perry | Sound Re-Recording Mixer |
| Sound | James Troutman | Supervising Sound Editor |
| Sound | Dwayne Avery | Sound Editor |
| Sound | Edward Hirsch | Sound Editor |
| Sound | Allan Schultz | Sound Editor |
| Sound | Adam Johnston | Sound Editor |
| Sound | Greg Stacy | Sound Editor |
| Sound | Mike Goodman | ADR Supervisor |
| Sound | Casey Troutman | Foley Artist |
| Sound | Bess Hopper | Foley Artist |
| Camera | Peter Sorel | Still Photographer |
| Art | Kevin Constant | Art Department Coordinator |
| Crew | David R. Ellis | Stunt Coordinator |
| Crew | David P. Kelsey | Special Effects |
