Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
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| Art | Fred Hole | Art Direction |
| Editing | Ray Lovejoy | Editor |
| Art | Michael Lamont | Art Direction |
| Production | Gale Anne Hurd | Producer |
| Art | Crispian Sallis | Set Decoration |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Directing | James Cameron | Director |
| Camera | Adrian Biddle | Director of Photography |
| Art | Bert Davey | Art Direction |
| Art | Ken Court | Art Direction |
| Sound | Michael Clifford | Music Editor |
| Sound | James Horner | Original Music Composer |
| Art | Peter Lamont | Production Design |
| Crew | Brian Johnson | Special Effects |
| Writing | James Cameron | Screenplay |
| Crew | Elanor Bertram | Stunts |
| Crew | Paul Weston | Stunt Coordinator |
| Crew | Norman Baillie | Special Effects |
| Editing | Simon Harris | Assistant Editor |
| Production | Mary Selway | Casting |
| Production | Mike Fenton | Casting |
| Costume & Make-Up | Tiny Nicholls | Costume Supervisor |
| Production | Judy Taylor | Casting |
| Production | Jane Feinberg | Casting |
| Sound | Don Sharpe | Supervising Sound Editor |
| Camera | Shaun O'Dell | Camera Operator |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Camera | David Worley | Camera Operator |
| Camera | Bob Penn | Still Photographer |
| Lighting | Jack Thetford | Gaffer |
| Visual Effects | Richard Hewitt | Visual Effects Supervisor |
| Visual Effects | Dennis Skotak | Visual Effects Supervisor |
| Sound | Roy Charman | Sound Recordist |
| Art | Bert Hearn | Property Master |
| Sound | Archie Ludski | Dialogue Editor |
| Art | Terry Ackland-Snow | Supervising Art Director |
| Crew | Chris Webb | Stunts |
| Sound | Robin Clarke | Music Editor |
| Production | Walter Hill | Executive Producer |
| Production | David Giler | Executive Producer |
| Writing | Ronald Shusett | Characters |
| Writing | David Giler | Story |
| Writing | Walter Hill | Story |
| Production | Gordon Carroll | Executive Producer |
| Writing | Dan O'Bannon | Characters |
| Writing | James Cameron | Story |
| Art | Vic Simpson | Construction Manager |
| Art | Ron Cobb | Conceptual Design |
| Production | Mo Coppitters | Unit Production Manager |
| Art | Syd Mead | Concept Artist |
| Directing | Melvin Lind | Second Assistant Director |
| Crew | Sue Crosland | Stunts |
| Crew | Steve Dent | Stunts |
| Directing | Stan Winston | Second Unit Director |
| Costume & Make-Up | Elaine Bowerbank | Key Hair Stylist |
| Directing | Derek Cracknell | First Assistant Director |
| Production | Gil Whelan | Unit Production Manager |
| Sound | Rocky Phelan | Foley Editor |
| Production | Hugh Harlow | Production Supervisor |
| Crew | Simon Crane | Stunts |
| Crew | Jazzer Jeyes | Stunts |
| Editing | Peter Boita | Associate Editor |
| Crew | Stuart Fell | Stunts |
| Crew | Jason White | Stunts |
| Crew | Sean McCabe | Stunts |
| Crew | Bill Weston | Stunts |
| Crew | Eddie Powell | Stunts |
| Crew | Malcolm Weaver | Stunts |
| Editing | Phil Sanderson | First Assistant Editor |
| Sound | Greig McRitchie | Orchestrator |
| Directing | Diana Dill | Script Supervisor |
| Crew | Geoff Freeman | Unit Publicist |
| Production | Joyce Turner | Production Coordinator |
| Crew | Stuart St. Paul | Stunts |
| Visual Effects | H. R. Giger | Creature Design |
| Crew | Paul Tucker | Production Controller |
| Crew | Louise Head | Stunt Double |
| Crew | Kiran Shah | Stunt Double |
| Crew | Clive Curtis | Stunt Double |
| Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
| Crew | Peter Russell | Visual Effects Art Director |
