A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Is Pulp Fiction on Netflix? Yes! The movie Pulp Fiction is now on Netflix in the countries listed below.
Art | David Wasco | Production Design |
Art | Sandy Reynolds-Wasco | Set Decoration |
Editing | Sally Menke | Editor |
Art | Charles Collum | Art Direction |
Production | Danny DeVito | Executive Producer |
Production | Gary M. Zuckerbrod | Casting |
Production | Ronnie Yeskel | Casting |
Costume & Make-Up | Betsy Heimann | Costume Design |
Production | Paul Hellerman | Production Manager |
Production | Lawrence Bender | Producer |
Production | Michael Shamberg | Executive Producer |
Camera | Andrzej Sekula | Director of Photography |
Production | Stacey Sher | Executive Producer |
Lighting | Vance Trussell | Gaffer |
Crew | Kevin McTurk | Special Effects Technician |
Crew | Andrew Ambrose | Special Effects Assistant |
Production | Bob Weinstein | Co-Executive Producer |
Production | Richard N. Gladstein | Co-Executive Producer |
Sound | Kathy Nelson | Music Supervisor |
Sound | Karyn Rachtman | Music Supervisor |
Costume & Make-Up | Michelle Bühler | Makeup Artist |
Costume & Make-Up | Patia Prouty | Set Costumer |
Costume & Make-Up | Bill Fletcher | Wigmaker |
Editing | Donald Likovich | Assistant Editor |
Production | Ruth Lambert | Casting Associate |
Production | Jeff Olan | Casting |
Costume & Make-Up | Audrey Futterman-Stern | Key Hair Stylist |
Lighting | Bruce Jagoda | Electrician |
Crew | Ken Lesco | Stunt Coordinator |
Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
Costume & Make-Up | Mary Claire Hannan | Assistant Costume Designer |
Crew | Jennifer Beals | Thanks |
Crew | Heidi Vogel | Post Production Supervisor |
Camera | Ziad Doueiri | First Assistant Camera |
Sound | Dean Beville | Sound Editor |
Editing | Mike Stanwick | Color Timer |
Crew | Andrew Dickler | Editorial Staff |
Costume & Make-Up | Linda Arnold | Hairstylist |
Crew | Alonzo Brown Jr. | Driver |
Art | Ray Maxwell | Construction Foreman |
Art | Daniel Bradford | Set Designer |
Camera | Michael Levine | Camera Operator |
Camera | Mark Shane Davis | Key Grip |
Camera | Bob Gorelick | Steadicam Operator |
Art | Giuseppe Maini III | Painter |
Art | Marc Gillson | Lead Painter |
Costume & Make-Up | Joseph W. Grafmuller | Set Dressing Artist |
Art | Samantha Gore | Assistant Art Director |
Art | Brian Markey | Construction Coordinator |
Art | Emily Wolfe | Art Department Coordinator |
Crew | Derek Raser | Transportation Coordinator |
Editing | Tatiana S. Riegel | First Assistant Editor |
Sound | Dana Gustafson | Assistant Sound Editor |
Directing | Francis R. Mahony III | First Assistant Director |
Sound | Larry Scharf | Boom Operator |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Camera | Chris Ahern | Grip |
Lighting | Anthony Hall | Best Boy Electric |
Crew | Deborah Wuliger | Unit Publicist |
Crew | Gary L. Brennan | Carpenter |
Crew | Derek Hurd | Craft Service |
Costume & Make-Up | Iain Jones | Hair Designer |
Crew | Iain Jones | Set Production Assistant |
Art | Jonathan R. Hodges | Property Master |
Sound | Matthew C. Beville | Sound Recordist |
Crew | Cameron | Stunts |
Lighting | Marc Meisenheimer | Rigging Gaffer |
Sound | Ken King | Production Sound Mixer |
Crew | Thomas L. Bellissimo | Makeup Effects |
Directing | Martin Kitrosser | Script Supervisor |
Sound | Rolf Johnson | Music Editor |
Production | Anna-Lisa Nilsson | Production Coordinator |
Art | Peter Borck | Leadman |
Crew | Ben Parker | Post Production Assistant |
Crew | Cameron | Stand In |
Crew | Ruben Cortez | Security |
Crew | Larry Fioritto | Special Effects Coordinator |
Sound | Rick Ash | Sound |
Crew | Linda R. Chen | Thanks |
Crew | Agnès B. | Thanks |
Production | Harvey Weinstein | Co-Executive Producer |
Sound | Billy Gottlieb | Assistant Music Supervisor |
Crew | Cathryn Jaymes | Thanks |
Crew | Rory Dauson | Stand In |
Sound | Kristen Becht | Assistant Music Supervisor |
Crew | Lou Arkoff | Thanks |
Crew | Emanuel Steward | Thanks |
Crew | Bill Unger | Thanks |
Crew | Stephen Martines | Thanks |
Crew | Ricardo Mestres | Thanks |
Crew | Mike Simpson | Thanks |
Crew | Scott Spiegel | Thanks |
Crew | Lee Stollman | Thanks |
Writing | Quentin Tarantino | Story |
Writing | Roger Avary | Story |
Production | Barbara Harris | ADR Voice Casting |
Sound | Ezra Dweck | Foley Mixer |
Production | Haley Sweet | Location Assistant |
Art | John Felgate | Assistant Property Master |
Sound | Jeff Courtie | ADR Mixer |
Directing | Kelly Kiernan | Second Assistant Director |
Crew | Kevin McTurk | Special Effects Assistant |
Sound | Catherine Rowe | Foley Artist |
Camera | Gregory C. Smith | Second Assistant Camera |
Art | Liz Chiz | Assistant Decorator |
Art | Steve Ingrassia | Swing |
Crew | Terry Jackson | Stunt Double |
Camera | Angelo de la Cruz | Camera Loader |
Art | Chris Cullen | Graphic Designer |
Production | Kara Mazzola | Post Production Coordinator |
Sound | Chuck Kelley | Music Consultant |
Sound | Mary Ramos | Music Coordinator |
Lighting | Michael Stocks | Key Rigging Grip |
Production | Bradley Morris | Production Secretary |
Production | Cheryl Cain | Assistant Production Coordinator |
Production | Zane | Assistant Accountant |
Crew | Michael Haddad | Assistant Craft Service |
Crew | Chris L. Winslow | Charge Scenic Artist |
Directing | John W. Hyde Jr. | Second Second Assistant Director |
Camera | Robbie Meckler | Best Boy Grip |
Camera | Alan Parr | Dolly Grip |
Production | John A. Johnston | Assistant Location Manager |
Costume & Make-Up | Kristin Dangl | Costumer |
Sound | Judee Flick | Supervising ADR Editor |
Directing | Quentin Tarantino | Director |
Writing | Quentin Tarantino | Writer |