London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.
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| Writing | Oscar Wilde | Theatre Play |
| Directing | Ken Russell | Director |
| Writing | Ken Russell | Screenplay |
| Costume & Make-Up | Liz Michie | Hairstylist |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Art | Michael Buchanan | Production Design |
| Production | Robert Littman | Co-Producer |
| Costume & Make-Up | Daphne Vollmer | Hairstylist |
| Production | William J. Quigley | Executive Producer |
| Art | Christopher Hobbs | Set Designer |
| Costume & Make-Up | Michael Jeffery | Costume Designer |
| Costume & Make-Up | Michael Jeffery | Hair Designer |
| Art | Michael Buchanan | Art Direction |
| Camera | Harvey Harrison | Director of Photography |
| Editing | Timothy Gee | Editor |
| Costume & Make-Up | Michael Annals | Costume Designer |
| Production | Robert Littman | Co-Producer |
| Production | Dan Ireland | Executive Producer |
| Production | Penny Corke | Producer |
| Costume & Make-Up | Yvonne Coppard | Makeup Artist |
| Costume & Make-Up | Mark Nelson | Assistant Hairdresser |
| Sound | Jean Sheffield | Foley Editor |
| Production | Rebecca Howard | Casting Director |
| Production | Rebecca West | Producer's Assistant |
| Art | Ron Allett | Property Master |
| Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
| Costume & Make-Up | Sula Loizou | Assistant Makeup Artist |
| Camera | Gareth Hall | Assistant Camera |
| Art | Denise Ruben | Set Dresser |
| Sound | John Chandler | Boom Operator |
| Costume & Make-Up | Daphne Vollmer | Hairdresser |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Brian Saunders | Sound Re-Recording Assistant |
| Production | Winnie Wishart | Production Coordinator |
| Camera | Clive Coote | Still Photographer |
| Camera | Dean Morris | Clapper Loader |
| Costume & Make-Up | Michael Jeffery | Wardrobe Supervisor |
| Sound | John Ireland | Sound Editor |
| Directing | Jerry Daly | Second Assistant Director |
| Costume & Make-Up | Catherine Halloran | Wardrobe Assistant |
| Costume & Make-Up | Sallie Evans | Assistant Makeup Artist |
| Costume & Make-Up | Maureen Stephenson | Assistant Makeup Artist |
| Sound | Tracey Sheffield | Foley Editor |
| Directing | Mike Gowans | First Assistant Director |
| Art | Ella Cottrell | Property Buyer |
| Sound | Ray Beckett | Sound Mixer |
| Directing | Melinda Rees | Script Supervisor |
| Directing | Trevor Puckle | Third Assistant Director |
| Camera | Mike Evans | Focus Puller |
| Costume & Make-Up | Liz Michie | Key Hairdresser |
| Sound | Martin Culverwell | Sound Engineer |
| Sound | Simon Manley | Assistant Sound Editor |
| Art | Paul Turner | Standby Property Master |
| Costume & Make-Up | Pay Hay | Key Makeup Artist |
| Crew | Arlene Phillips | Choreographer |
| Crew | Wanda Rokicki | Choreographer |
| Production | Nicky Bowen | Assistant Accountant |
| Camera | Mark Ellis | Key Grip |
| Production | Ronaldo Vasconcellos | Associate Producer |
| Editing | Keith Lowes | First Assistant Editor |
| Sound | Dick Lewzey | Music Editor |
| Art | Steve Ede | Construction Manager |
| Sound | Sean Cotter | Music Editor |
| Lighting | Denis Brock | Gaffer |
