After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.
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| Directing | Roger Donaldson | Director |
| Writing | Heywood Gould | Screenplay |
| Production | Robert W. Cort | Producer |
| Production | Ted Field | Producer |
| Sound | J. Peter Robinson | Original Music Composer |
| Camera | Dean Semler | Director of Photography |
| Editing | Neil Travis | Editor |
| Art | Mel Bourne | Production Design |
| Art | Dan Davis | Art Direction |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Sound | Mark Pappas | Foley Editor |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Art | Penelope Gottlieb | Title Designer |
| Crew | Branko Racki | Stunt Coordinator |
| Crew | Michael Estler | Stunts |
| Directing | Rob Cowan | First Assistant Director |
| Directing | Kim H. Winther | Second Assistant Director |
| Directing | Janet Spiegel | Third Assistant Director |
| Art | Vlasta Svoboda | Assistant Art Director |
| Camera | Julian Chojnacki | Camera Operator |
| Camera | Perry Hoffman | First Assistant Camera |
| Sound | Richard Lightstone | Sound Mixer |
| Sound | Mary Andrews | ADR Editor |
| Sound | James Christopher | Sound Editor |
| Sound | Burness Dembrowski | Sound Editor |
| Sound | John Dunn | Sound Editor |
| Art | Don Miloyevich | Property Master |
| Costume & Make-Up | Arthur Rowsell | Costume Supervisor |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Costume & Make-Up | Linda Gill | Makeup Artist |
| Costume & Make-Up | Paul LeBlanc | Hairstylist |
| Lighting | Chris Holmes | Gaffer |
| Camera | Ron Gillham | Key Grip |
| Camera | Roy Elliston | Best Boy Grip |
| Lighting | Tony Eldridge | Best Boy Electric |
| Crew | Michael Cavanaugh | Special Effects Coordinator |
| Crew | Guenter Bartlik | Scenic Artist |
| Production | Allen E. Taylor | Production Accountant |
| Camera | Rob McEwan | Still Photographer |
| Production | Donna Isaacson | Casting |
| Production | John S. Lyons | Casting |
| Art | Hilton Rosemarin | Set Decoration |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Crew | Jayne Armstrong | Post Production Supervisor |
| Production | David Coatsworth | Unit Production Manager |
| Production | Mathew Hart | Location Manager |
| Production | Keith Large | Location Manager |
| Production | Denis McCallion | Location Manager |
| Sound | Jim Weidman | Music Editor |
| Directing | Renee Bodner | Script Supervisor |
| Production | Terry Ladin | Production Coordinator |
| Production | Mara McSweeny | Production Coordinator |
| Directing | Elaine Yarish | Script Supervisor |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Sound | Kim Maitland | Sound Recordist |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Robbie Nevil | Musician |
