British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.
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| Production | Nina Gold | Casting |
| Editing | Lucia Zucchetti | Editor |
| Production | Norman Merry | Executive Producer |
| Art | Aline Leonello | Supervising Art Director |
| Production | Maria Logan | Executive Producer |
| Production | Mark Hubbard | Co-Producer |
| Sound | Volker Bertelmann | Original Music Composer |
| Production | Simon Gillis | Executive Producer |
| Production | Anne Sheehan | Executive Producer |
| Art | Christina Moore | Production Design |
| Art | Jan Kalous | Art Direction |
| Art | Philippa Hart | Set Decoration |
| Camera | Zac Nicholson | Director of Photography |
| Art | Klara Zimova | Set Decoration |
| Art | Petra Vencelidesová | Set Decoration |
| Costume & Make-Up | Joanna Eatwell | Costume Design |
| Costume & Make-Up | Linda Eisenhamerová | Hairstylist |
| Production | Adam Porkert | Production Manager |
| Directing | Jakub Dvorak | First Assistant Director |
| Art | Shane Harford | Property Master |
| Art | Jamie Walton | Set Dresser |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Visual Effects | Menelaos Pampoukidis | Visual Effects Supervisor |
| Production | Lucy Amos | Casting |
| Directing | Michael Middleton | Second Assistant Director |
| Art | Beth Kendrick | Graphic Designer |
| Sound | Rob Hughes | Sound Re-Recording Mixer |
| Production | Hannah Sapira | Assistant Location Manager |
| Costume & Make-Up | Jean Carlos de Blas | Makeup Artist |
| Art | Yvon Rigg | Art Department Trainee |
| Sound | Thibault Arnold | ADR Mixer |
| Camera | Iain Mackay | "A" Camera Operator |
| Production | Lindani Ndabandaba | Production Secretary |
| Visual Effects | Peter Elton | Visual Effects Coordinator |
| Lighting | Filip Marek | Gaffer |
| Camera | Ali Youssef | First Assistant "A" Camera |
| Production | Julia Szecsenyi | Production Assistant |
| Production | Arwa Salmanova | Casting |
| Costume & Make-Up | Karen Hartley-Thomas | Makeup Designer |
| Camera | Will Cummins | Additional Photography |
| Art | Karel Stýblo | Property Master |
| Camera | Ben Brown | First Assistant Camera |
| Camera | Khadeeja Chowdhury | Camera Trainee |
| Lighting | Joshua Lewis-Green | Best Boy Electric |
| Editing | Lara Channon | Assistant Editor |
| Production | Joshua Darby | Production Coordinator |
| Production | Ali Moshref | Production Executive |
| Directing | Jan Gregor | Second Assistant Director |
| Art | Zoe Cavendish | Art Department Assistant |
| Art | Gabrielle Leon | Graphic Designer |
| Sound | Jason Swanscott | Foley Artist |
| Crew | Marek Brichcin | Stunts |
| Camera | Harry Bennett-Snewin | Digital Imaging Technician |
| Lighting | Sacha Kovacevic | Electrician |
| Art | Mark Gladwin | Location Scout |
| Production | Jessica Nosal | Location Manager |
| Production | Christina Moore | Production Designer |
| Sound | Roisin King | ADR Recordist |
| Visual Effects | David Fowler | Visual Effects Supervisor |
| Camera | Martin Polách | Camera Operator |
| Directing | Nick Laurence | First Assistant Director |
| Sound | Stuart Bagshaw | Foley Editor |
| Visual Effects | Sarah Dicks | Visual Effects Producer |
| Production | Kristina Hejduková | Line Producer |
| Sound | Richard Morgan | Second Assistant Sound |
| Lighting | Tomas Potuznik | Electrician |
| Editing | Oscar Perillo | Digital Intermediate |
| Production | Nikolay Savov | Assistant Production Coordinator |
| Directing | Alicia Graf | Second Assistant Director |
| Sound | Sophia Hardman | Foley Mixer |
| Crew | Amir F. Qureshi | Video Assist Operator |
| Editing | Thora Woodward | First Assistant Editor |
| Production | Laurence Cooper | Production Executive |
| Sound | Rashad Hall-Heinz | Sound Mixer |
| Crew | Kornelijus Tuzas | Visual Effects Editor |
| Camera | Karol Pruzinsky | Second Assistant Camera |
| Editing | Jamie Welsh | Colorist |
| Art | Cristina Arcay | Location Scout |
| Production | Aneta Chalas | Production Manager |
| Art | Marek Boros | Art Department Coordinator |
| Art | Ian McCaffrey | Storyboard Artist |
| Sound | Alan MacFeely | Production Sound Mixer |
| Camera | Dearbhaile Collins | Camera Trainee |
| Camera | Iain Mackay | Steadicam Operator |
| Camera | Martin Maryška | First Assistant "B" Camera |
| Camera | Julie Vrabelová | Still Photographer |
| Camera | Kim Worthington | Key Grip |
| Art | Jojo Warne | Location Scout |
| Production | Jirka Kasparek | Unit Manager |
| Crew | Callum O'Donoghue | Transportation Captain |
| Costume & Make-Up | Fiona Matthews | Makeup Artist |
| Production | Michael Carrithers | Production Assistant |
| Art | Martin Dvořák | Property Buyer |
| Sound | Markus Moll | Sound Re-Recording Mixer |
| Crew | Robert Jewell | Visual Effects Editor |
| Lighting | Mark Clayton | Gaffer |
| Directing | Hannah Kenneally-Muir | Script Supervisor |
| Directing | Christian Proctor | Third Assistant Director |
| Lighting | Paul Choy | Electrician |
| Camera | Jakub Hejduk | Digital Imaging Technician |
| Production | Iain Canning | Producer |
| Production | Guy Heeley | Producer |
| Directing | James Hawes | Director |
| Production | Emile Sherman | Producer |
| Production | Joanna Laurie | Producer |
| Writing | Nick Drake | Screenplay |
| Writing | Lucinda Coxon | Screenplay |
