With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.
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Camera | Segun Adekoya | First Assistant Camera |
Production | Reba Martin | Production Assistant |
Production | Omowunmi Ogundipe | Producer |
Camera | Morgan K. Spencer | Director of Photography |
Sound | Shenece Oretha | Music |
Directing | Onyeka Igwe | Director |
Crew | Sunday Okem | Generator Operator |
Crew | Anselm Niemchi | Driver |
Sound | Richy Carey | Sound Mixer |
Sound | Onyeka Igwe | Sound Recordist |
Lighting | Adeleke Ezekiel | Gaffer |
Editing | Katherine Jamieson | Colorist |
Lighting | Meshach Falconer-Roberts | Gaffer |
Sound | Richy Carey | Sound Recordist |
Camera | Rosie Taylor | Director of Photography |
Sound | Sunday Agesugba | Sound Recordist |
Camera | Philipp Morozov | First Assistant Camera |
Camera | Idris Shokanbi | Key Grip |