Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.
Is Robin Hood: Men in Tights on Netflix? Yes! The movie Robin Hood: Men in Tights is now on Netflix in the countries listed below.
| Writing | Mel Brooks | Screenplay |
| Directing | Mel Brooks | Director |
| Production | Lindsay Chag | Casting |
| Sound | Hummie Mann | Original Music Composer |
| Writing | J.D. Shapiro | Screenplay |
| Editing | Stephen E. Rivkin | Editor |
| Writing | Evan Chandler | Story |
| Writing | Evan Chandler | Screenplay |
| Writing | J.D. Shapiro | Story |
| Production | Peter Schindler | Executive Producer |
| Art | Roy Forge Smith | Production Design |
| Camera | Michael D. O'Shea | Director of Photography |
| Production | Mel Brooks | Producer |
| Production | Bill Shepard | Casting |
| Production | Kenneth Chamitoff | Extras Casting |
| Crew | Dick Warlock | Stunts |
| Production | Evan Chandler | Associate Producer |
| Crew | Erik Cord | Stunts |
| Crew | Troy Gilbert | Stunts |
| Crew | Loren Janes | Stunts |
| Art | Jacqueline English | Art Department Coordinator |
| Camera | Michael A. Chavez | First Assistant Camera |
| Camera | Robert Isenberg | Still Photographer |
| Crew | Neil Gahm | Propmaker |
| Art | W. Wayne Walser | Construction Coordinator |
| Production | Cynthia Quan | Production Accountant |
| Sound | Brad Dechter | Orchestrator |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Art | Stephen Myles Berger | Art Direction |
| Crew | Cindy Montoya-Picker | Choreographer |
| Lighting | James M. Cox | Best Boy Electric |
| Production | Alyson Evans | Production Coordinator |
| Sound | Brian L. McCarty | Music Supervisor |
| Sound | Armin Steiner | Scoring Mixer |
| Costume & Make-Up | Linle White | Key Hair Stylist |
| Art | Ronald R. Reiss | Set Decoration |
| Costume & Make-Up | Todd McIntosh | Makeup Artist |
| Art | Cate Bangs | Set Designer |
| Art | Al Kenders | Standby Painter |
| Costume & Make-Up | Dodie Shepard | Costume Design |
| Camera | Lloyd Ahern II | Additional Photography |
| Camera | James D. Doherty | Grip |
| Costume & Make-Up | Danielle Feller | Set Costumer |
| Crew | Antoine Mascaro | Chef |
| Costume & Make-Up | Mark Boucher | Set Dressing Artist |
| Crew | John Moy | Craft Service |
| Costume & Make-Up | Charles DeMuth | Costume Supervisor |
| Art | Jack M. Marino | Property Master |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Sound | William Jacobs | Sound Editor |
| Art | Terry Kempf | Construction Foreman |
| Art | Dave Newhouse | Greensman |
| Camera | Robert Duggan | Key Grip |
| Crew | Thomas R. Burman | Makeup Effects |
| Crew | Jim Chesney | Transportation Coordinator |
| Crew | Martin Glover | Loader |
| Camera | Michael Genne | Camera Operator |
| Costume & Make-Up | Judith Tiedemann | Hairstylist |
| Costume & Make-Up | Bari Dreiband-Burman | Makeup Department Head |
| Directing | Kristine Greco | Script Supervisor |
| Lighting | Jim Duggan | Rigging Grip |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Crew | Richard Ratliff | Special Effects Coordinator |
| Crew | Brian Burrows | Stunt Coordinator |
| Production | Saul Kahan | Publicist |
| Crew | Daniel W. Barringer | Stunts |
| Editing | Dale Caldwell | Color Timer |
| Sound | Chris Ledesma | Music Editor |
| Lighting | James F. Cornick | Electrician |
| Lighting | Gary Tandrow | Gaffer |
| Lighting | Jerry Enright | Rigging Gaffer |
| Production | William Bowling | Location Manager |
| Production | Robert Latham Brown | Executive In Charge Of Production |
| Sound | Harry E. Snodgrass | Sound Designer |
| Crew | John Armstrong | Transportation Captain |
| Directing | Gregg Goldstone | First Assistant Director |
| Sound | Gary S. Gerlich | Supervising Sound Editor |
| Crew | Larry Holt | Stunts |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Lance Gilbert | Stunts |
| Costume & Make-Up | Marcie Olivi | Costumer |
| Camera | Alberto S. Ramos | Dolly Grip |
| Crew | Larry Odien | Special Effects Assistant |
| Art | Peter Kuran | Main Title Designer |
| Sound | David Jobe | ADR Recordist |
| Sound | Nerses Gezalyan | Foley Recordist |
| Production | Chris Armstrong | Production Assistant |
| Directing | Peter Schindler | Second Unit Director |
| Sound | Petra Bach | Supervising ADR Editor |
| Camera | Vincent Mata | Second Assistant Camera |
| Sound | Robert Ulrich | ADR Editor |
| Costume & Make-Up | Robert Q. Mathews | Key Costumer |
| Editing | Gary Burritt | Negative Cutter |
| Crew | John Armstrong | Generator Operator |
| Art | Jennifer Dawson | Assistant Property Master |
| Sound | James Ashwill | Foley Mixer |
| Directing | Judith Moore | Second Second Assistant Director |
| Editing | Gina Lombardo | Assistant Editor |
| Production | Dennis Brown | Art Department Production Assistant |
| Visual Effects | Syd Dutton | Matte Painter |
| Production | Leah Zappy | Production Executive |
| Sound | Robert Deschaine | ADR Mixer |
| Art | Michael Sarley | Storyboard Artist |
| Sound | Gary A. Hecker | Foley Artist |
| Production | Joshua Ornstein | Assistant Accountant |
| Crew | Julie Adams | Dialogue Coach |
| Directing | Kenneth Silverstein | Second Assistant Director |
| Camera | Richard Redlin | Best Boy Grip |
| Production | Arlane J. Crawford | Casting Assistant |
| Editing | Darren T. Holmes | Associate Editor |
| Production | Steve Kornacki | Assistant Production Coordinator |
| Crew | Steve Picerni | Stunts |
