West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe.
Is The Pale Blue Eye on Netflix? Yes! The movie The Pale Blue Eye is now on Netflix in the countries listed below.
| Directing | Ana Drasinover | Additional Second Assistant Director |
| Production | Tracey Landon | Unit Production Manager |
| Production | Ryan Donnell Smith | Executive Producer |
| Art | Troy Sizemore | Supervising Art Director |
| Sound | Tom Williams | Sound Mixer |
| Production | Tracey Landon | Executive Producer |
| Production | Dylan Weathered | Executive Producer |
| Art | Michael E. Goldman | Art Direction |
| Camera | Masanobu Takayanagi | Director of Photography |
| Art | Jane Madden | Set Decoration |
| Crew | Antonio Grassano | Special Effects Technician |
| Production | Buddy Patrick | Executive Producer |
| Directing | Jordan Weir | Second Second Assistant Director |
| Directing | Christopher Surgent | First Assistant Director |
| Directing | Takahide Kawakami | Second Assistant Director |
| Visual Effects | David C. Sales | Visual Effects Coordinator |
| Costume & Make-Up | Kasia Walicka Maimone | Costume Design |
| Crew | Adam Hart | Stunt Coordinator |
| Art | Stefania Cella | Production Design |
| Production | Evelyn Chafin | Production Supervisor |
| Production | Corey Sklov | Production Supervisor |
| Costume & Make-Up | Darylin Nagy | Makeup Artist |
| Visual Effects | Jeremy Hays | VFX Supervisor |
| Costume & Make-Up | Melissa Yonkey | Key Hair Stylist |
| Camera | Scott Garfield | Still Photographer |
| Costume & Make-Up | Eve Negley | Makeup Artist |
| Costume & Make-Up | Ned Neidhardt | Makeup Department Head |
| Visual Effects | Brandon England | Visual Effects |
| Camera | Drew Roberts | Drone Pilot |
| Costume & Make-Up | Rachel Geary | Makeup Artist |
| Costume & Make-Up | Bunny Giuliani | Hairstylist |
| Costume & Make-Up | Christopher Patrick | Makeup Artist |
| Art | Kate Dougherty | Set Designer |
| Art | John Finnell | Art Department Coordinator |
| Directing | Scott Peterson | Script Supervisor |
| Costume & Make-Up | Nancy Keslar | Hairstylist |
| Costume & Make-Up | Lori Guidroz | Hair Department Head |
| Costume & Make-Up | Autumn Butler | Makeup Department Head |
| Costume & Make-Up | Rachel Kick | Key Makeup Artist |
| Costume & Make-Up | Krista Montgomery | Hairstylist |
| Crew | Mike Garvey | Special Effects |
| Visual Effects | Alexander Ha | Visual Effects |
| Art | Patrick Campbell | Storyboard Artist |
| Costume & Make-Up | Jason Renner | Key Hair Stylist |
| Crew | Kyle Roberts | Special Effects |
| Camera | Sean Flaherty | Key Grip |
| Crew | Joseph Edward Myers | Stunts |
| Crew | Cole Eckert | Stunts |
| Crew | Doug Coleman | Stunts |
| Crew | Erin Haus | Stunt Double |
| Camera | Richard S. Crumrine Jr. | First Assistant "B" Camera |
| Crew | Dawson Towery | Stunt Double |
| Crew | Michelle Elise Shock | Stunt Double |
| Crew | Tom Russbueldt | Score Engineer |
| Editing | Alex Kaufman | Dailies Operator |
| Crew | Adam Hart | Stunt Double |
| Sound | Sam Okell | Scoring Mixer |
| Editing | Andrew Dearnley | Dailies Operator |
| Crew | Daniel Stevens | Stunts |
| Crew | Cheryl L. Sorice | Special Effects |
| Camera | John Janusek | Key Grip |
| Crew | Dana Morris | Steadycam |
| Crew | Ted Williams | Special Effects |
| Lighting | Brian Abate | Lighting Technician |
| Camera | James W. Apted | First Assistant "A" Camera |
| Crew | Doug Stanczak | Video Assist Operator |
| Sound | Alistair Bolt | ADR Mixer |
| Lighting | Dakota Hadix | Rigging Grip |
| Camera | Dan Sotak | Second Assistant Camera |
| Camera | John E. Tremba | Grip |
| Camera | Matt Beran | Camera Loader |
| Camera | Chad Cunningham | Grip |
| Art | Raquel Bouvy | Graphic Designer |
| Art | Thomas J. Garrigan | Assistant Property Master |
| Camera | Daniel Hernandez | Digital Imaging Technician |
| Art | Kris Peck | Property Master |
| Art | Allison Klein | Assistant Art Director |
| Visual Effects | Jeremy Hays | Special Effects Supervisor |
| Camera | David Jaxx Nagro | Dolly Grip |
| Crew | Kevin Gilligan | Techno Crane Operator |
| Lighting | Jay Kemp | Gaffer |
| Camera | Dana Morris | Camera Operator |
| Lighting | Mark Yancey | Electrician |
| Sound | Benjamin Darier | ADR Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Art | Jason Baker | Props |
| Costume & Make-Up | Jennifer Bechak | On Set Dresser |
| Sound | James Trusson | ADR Mixer |
| Art | Mandy Simpson | Props |
| Sound | Jennie Shea | ADR Recordist |
| Art | Kate Bechak | Set Designer |
| Art | Chip Eccles | Construction Foreman |
| Writing | Scott Cooper | Writer |
| Production | Vincent Grashaw | Co-Executive Producer |
| Editing | Dylan Tichenor | Editor |
| Writing | Louis Bayard | Novel |
| Sound | Chris Chae | Sound Re-Recording Mixer |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Costume & Make-Up | Melissa Yancey | Set Costumer |
| Sound | Wyatt Sprague | Sound Effects Editor |
| Sound | Chris Chae | Sound Designer |
| Art | Mitchell Poljak | Set Dresser |
| Sound | Skip Lievsay | Sound Re-Recording Mixer |
| Costume & Make-Up | Darcie Buterbaugh | Costume Supervisor |
| Sound | Howard Shore | Original Music Composer |
| Production | Chris Sharp | Executive Producer |
| Production | Christian Bale | Producer |
| Production | Scott Cooper | Producer |
| Production | John Lesher | Producer |
| Directing | Scott Cooper | Director |
| Production | Tyler Thompson | Producer |
