Peter Carter, his wife Sally and their young daughter Jean move to a sleepy Canadian village, where Peter has been hired as a school principal. Their idyll is shattered when Jean becomes the victim of an elderly, and extremely powerful, paedophile. The film was neither a box office nor a critical success, it garnered criticism for breaking a significant public taboo.
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| Directing | Cyril Frankel | Director |
| Production | Anthony Hinds | Producer |
| Camera | Freddie Francis | Director of Photography |
| Editing | Alfred Cox | Editor |
| Writing | Roger Garis | Theatre Play |
| Sound | Elisabeth Lutyens | Original Music Composer |
| Art | Don Mingaye | Art Direction |
| Art | Bernard Robinson | Art Direction |
| Production | Michael Carreras | Executive Producer |
| Costume & Make-Up | Roy Ashton | Makeup Artist |
| Art | Bernard Robinson | Production Design |
| Sound | John Hollingsworth | Music Supervisor |
| Camera | Len Harris | Camera Operator |
| Sound | Jock May | Sound Recordist |
| Directing | Tilly Day | Continuity |
| Sound | Arthur Cox | Sound Editor |
| Directing | John Peverall | Assistant Director |
| Costume & Make-Up | Molly Arbuthnot | Wardrobe Master |
| Costume & Make-Up | Henry Montsash | Hairstylist |
| Writing | John Hunter | Screenplay |
| Production | Anthony Nelson Keys | Associate Producer |
| Editing | James Needs | Supervising Editor |
| Production | Clifford Parkes | Production Manager |
