After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
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| Writing | Larry Ferguson | Screenplay |
| Production | Gordon Carroll | Producer |
| Writing | Walter Hill | Screenplay |
| Sound | Elliot Goldenthal | Original Music Composer |
| Crew | Chris Cunningham | Special Effects |
| Directing | David Fincher | Director |
| Costume & Make-Up | Bob Ringwood | Costume Design |
| Production | Billy Hopkins | Casting |
| Writing | David Giler | Screenplay |
| Camera | Alex Thomson | Director of Photography |
| Production | Walter Hill | Producer |
| Costume & Make-Up | David Perry | Costume Design |
| Production | Priscilla John | Casting |
| Directing | Richard Styles | Third Assistant Director |
| Visual Effects | H. R. Giger | Creature Design |
| Sound | Robert Renga | Sound Recordist |
| Editing | David Crowther | Editor |
| Art | Norman Reynolds | Production Design |
| Art | Belinda Edwards | Set Decoration |
| Art | Jim Morahan | Art Direction |
| Costume & Make-Up | Peter Robb-King | Makeup Department Head |
| Editing | Terry Rawlings | Editor |
| Visual Effects | Richard Edlund | Visual Effects Producer |
| Lighting | David Morani | Gaffer |
| Art | Robert J. Carlyle | Construction Coordinator |
| Sound | Gary S. Gerlich | Supervising Sound Editor |
| Camera | Kate Robinson | Steadicam Operator |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Art | Janet Stevens | Sculptor |
| Sound | David Lee Fein | Foley |
| Camera | William D. Barber | Camera Operator |
| Sound | Harry E. Snodgrass | Sound Designer |
| Camera | Bob Penn | Still Photographer |
| Production | Kevin De La Noy | Location Manager |
| Camera | David Worley | Camera Operator |
| Art | Jonathan McKinstry | Assistant Art Director |
| Art | Gary A. Krakoff | Construction Coordinator |
| Directing | June Randall | Script Supervisor |
| Camera | Wally Byatt | Camera Operator |
| Crew | Marc Boyle | Stunt Coordinator |
| Sound | Chris David | Sound Re-Recording Mixer |
| Sound | Sergio Reyes | Sound Re-Recording Mixer |
| Crew | Robert Wait | Visual Effects Editor |
| Lighting | Alan Martin | Gaffer |
| Crew | Brian Bishop | Scenic Artist |
| Production | David Giler | Producer |
| Art | John Allenby | Property Master |
| Art | Fred Hole | Supervising Art Director |
| Directing | Ken Shane | First Assistant Director |
| Sound | Matthias Gohl | Music Producer |
| Directing | Josh McLaglen | Second Unit First Assistant Director |
| Writing | Vincent Ward | Story |
| Production | Sigourney Weaver | Co-Producer |
| Production | Ezra Swerdlow | Executive Producer |
| Writing | Dan O'Bannon | Characters |
| Writing | Ronald Shusett | Characters |
| Camera | Mike Frift | Camera Operator |
| Lighting | Vince Goddard | Gaffer |
| Camera | Martin Kenzie | First Assistant Camera |
| Camera | Neil Binney | Camera Operator |
| Lighting | Jack Collins | Gaffer |
| Camera | Charles Saldaña | Key Grip |
| Camera | Colin Manning | Dolly Grip |
| Lighting | Dennis Brock | Gaffer |
| Lighting | Steve Kitchen | Gaffer |
| Camera | Clive Mackey | Second Assistant Camera |
| Crew | Mark Joiner | Generator Operator |
| Camera | Nick Penn | Second Assistant Camera |
| Lighting | Dwight Campbell | Chief Lighting Technician |
| Camera | Adam Cooper | Second Assistant Camera |
| Camera | Gary Hutchings | Dolly Grip |
| Camera | Tony Cridlin | Dolly Grip |
| Camera | Keith Thomas | First Assistant Camera |
| Camera | Stefan Stankowski | First Assistant Camera |
| Camera | Chyna Thomson | Second Assistant Camera |
| Editing | Tony Tromp | Assistant Editor |
| Production | Janine Modder | Production Coordinator |
| Visual Effects | Rick Fichter | Visual Effects Supervisor |
| Production | Barbara Harris | ADR Voice Casting |
| Production | Carolyn Hall | Production Accountant |
| Visual Effects | Julia Frey | Visual Effects Coordinator |
| Visual Effects | Philip Crescenzo | Effects Supervisor |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Costume & Make-Up | Graham Churchyard | Assistant Costume Designer |
| Editing | Joanna Jimenez | Assistant Editor |
| Visual Effects | Jammie Friday | Rotoscoping Artist |
| Costume & Make-Up | Joe Hobbs | Wardrobe Master |
| Editing | David Orr | Color Timer |
| Production | Lucinda Syson | Casting Assistant |
| Visual Effects | Maura Alvarez | Rotoscoping Artist |
| Sound | Craig Pettigrew | Supervising Music Editor |
| Visual Effects | Nina Salerno | Rotoscoping Artist |
| Visual Effects | Paul Lasaine | Matte Painter |
| Visual Effects | Russ Woolnough | Visual Effects Coordinator |
| Costume & Make-Up | Janet Tebrooke | Wardrobe Supervisor |
| Art | John Beach | Title Designer |
| Visual Effects | Larry Weiss | CG Animator |
| Production | Avi Levy | Production Accountant |
| Visual Effects | Annick Therrien | Roto Supervisor |
| Crew | Jim Rygiel | Digital Effects Supervisor |
| Costume & Make-Up | Janet Lucas-Wakely | Wardrobe Assistant |
| Sound | Christopher Brooks | Music Coordinator |
| Editing | Keith Parrish | Color Timer |
| Crew | Simon Atherton | Armorer |
| Production | Gretchen van Zeebroeck | Production Coordinator |
| Visual Effects | Mauro Maressa | Animation Supervisor |
| Art | Tony Youd | Supervising Carpenter |
| Costume & Make-Up | Nick Dudman | Key Makeup Artist |
| Art | Cathe Jones | Graphic Designer |
| Costume & Make-Up | Peter Robb-King | Makeup Supervisor |
| Art | Laurence Burns | Standby Carpenter |
| Costume & Make-Up | Scott Oshita | Special Effects Makeup Artist |
| Art | Michael Boone | Draughtsman |
| Crew | Jamie White | Carpenter |
| Costume & Make-Up | Lisa Tomblin | Hairstylist |
| Crew | Laurie Kerr | Carpenter |
| Art | Bill Welch | Construction Manager |
| Art | Mike Swift | Storyboard Artist |
| Costume & Make-Up | Susan A. Cabral | Makeup Artist |
| Costume & Make-Up | Gary Bunn | Special Effects Makeup Artist |
| Art | Brent Boates | Storyboard Artist |
| Art | Andrew Ackland-Snow | Draughtsman |
| Art | Roy Rodgers | Sculptor |
| Costume & Make-Up | Jane Royle | Key Makeup Artist |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Art | Greg Pruss | Concept Artist |
| Art | Martin Asbury | Storyboard Artist |
| Art | Bill Stallion | Storyboard Artist |
| Costume & Make-Up | Carol Meikle | Hairstylist |
| Art | Antonio Caccavale | Standby Painter |
| Sound | Greg Curda | Foley Mixer |
| Directing | Jamie Christopher | Third Assistant Director |
| Sound | Petra Bach | ADR Editor |
| Directing | Martin Brierley | Second Unit Director |
| Directing | Chris Carreras | First Assistant Director |
| Directing | Marcia Gay | Second Assistant Director |
| Sound | Ron S. Herbes | Assistant Sound Editor |
| Production | Patricia Carr | Production Supervisor |
| Sound | Brad Brock | ADR Mixer |
| Crew | Paul Jennings | Stunts |
| Sound | Samuel Webb | Assistant Sound Editor |
| Crew | Mark Anthony Newman | Stunts |
| Sound | Jerry Jacobson | Foley Editor |
| Sound | Victoria Martin | Foley Editor |
| Crew | Sean McCabe | Stunts |
| Crew | Valentino Musetti | Stunts |
| Sound | Juno J. Ellis | ADR Editor |
| Sound | David Lee Fein | Foley Artist |
| Crew | Nick Gillard | Stunts |
| Crew | Rann Miner | Stunts |
| Sound | William C. Carruth | Supervising ADR Editor |
| Sound | Ken Dufva | Foley Artist |
| Camera | Nic Morris | Second Unit Director of Photography |
| Sound | Jim Shields | ADR Editor |
| Production | Gill Case | Location Manager |
| Sound | David Horton Jr. | Foley Editor |
| Sound | Peter Lacey | ADR Mixer |
| Sound | John Morrisey | ADR Editor |
| Sound | John Samworth | Boom Operator |
| Crew | Simon Crane | Stunts |
| Art | Jake Scott | Concept Artist |
