As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
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Art | Cynthia Kay Charette | Production Design |
Crew | Richard Ratliff | Special Effects Coordinator |
Crew | Danny Cangemi | Special Effects Coordinator |
Production | Demi Moore | Producer |
Production | Suzanne Todd | Producer |
Camera | Peter Deming | Director of Photography |
Crew | Thomas Love | Special Effects |
Sound | Javier Bennassar | Supervising Sound Effects Editor |
Production | Jennifer Todd | Producer |
Sound | Dorian Cheah | Sound Effects Editor |
Crew | Bud Davis | Stunt Coordinator |
Art | Dan Olexiewicz | Art Direction |
Editing | Debra Neil-Fisher | Editor |
Crew | Jay Caputo | Stunts |
Editing | Dawn Hoggatt | Editor |
Sound | George S. Clinton | Original Music Composer |
Costume & Make-Up | Deena Appel | Costume Design |
Writing | Mike Myers | Screenplay |
Production | John Papsidera | Casting |
Art | Bob Kensinger | Set Decoration |
Directing | Jay Roach | Director |
Costume & Make-Up | Kylie Bell | Makeup Artist |
Production | Eric McLeod | Executive Producer |
Production | Mike Myers | Producer |
Directing | David Ticotin | Second Assistant Director |
Directing | Amy Schmidt | Second Assistant Director |
Directing | Douglas Aarniokoski | First Assistant Director |
Production | Eric McLeod | Unit Production Manager |
Production | Claire Rudnick Polstein | Executive Producer |
Production | Bob Degus | Production Executive |
Sound | John Houlihan | Music Supervisor |
Production | Carla Fry | Executive In Charge Of Production |
Crew | Marguerite Pomerhn Derricks | Choreographer |
Crew | David Deever | Video Assist Operator |
Camera | Scott Andrew Ressler | First Assistant Camera |
Directing | Ronit Ravich-Boss | Script Supervisor |
Production | Joe Fineman | Executive In Charge Of Post Production |
Production | Bonnie Weis | Production Accountant |
Production | Joan Kelley Bierman | Production Coordinator |
Camera | Paul Hughen | Camera Operator |
Camera | Renee Treyball | Second Assistant Camera |
Art | Martin Roy Mervel | Set Designer |
Art | Douglas Berkeley | Set Designer |
Art | Jack Robinson | Location Scout |
Crew | Diana Kaufman | Post Production Supervisor |
Production | Jody Hummer | Location Manager |
Art | Melody Bishop | Art Department Coordinator |
Costume & Make-Up | Kathrine Gordon | Key Hair Stylist |
Costume & Make-Up | Deborah Myles Davis | Set Costumer |
Art | Bruce Mink | Property Master |
Art | Chris Vail | Assistant Property Master |
Costume & Make-Up | Tangi Crawford | Costume Supervisor |
Art | Lauren Lustig | Assistant Property Master |
Costume & Make-Up | Michelle Skoby | Assistant Costume Designer |
Art | Gabriel Hardman | Storyboard Artist |
Costume & Make-Up | Denise Martinez | Costume Supervisor |
Art | Hugh Conlon | Construction Coordinator |
Lighting | Jerry Day | Key Rigging Grip |
Costume & Make-Up | Carla Palmer | First Assistant Makeup Artist |
Camera | Dennis K. Wilson | Dolly Grip |
Directing | Violet Cazanjian | Second Second Assistant Director |
Sound | Frederick Howard | Supervising Sound Editor |
Camera | Kimberly Wright | Still Photographer |
Sound | Benjamin L. Cook | Sound Effects Editor |
Sound | Jim Osburn | Boom Operator |
Sound | Lisle Engle | Sound Effects Editor |
Sound | Susan Shin | ADR Supervisor |
Costume & Make-Up | Ann Foley | Set Costumer |
Costume & Make-Up | Patty York | Key Makeup Artist |
Sound | Elmo Weber | Sound Designer |
Costume & Make-Up | John E. Jackson | Makeup Artist |
Sound | Gloria Cooper | Boom Operator |
Camera | Michael Pizzuto | Key Grip |
Lighting | Michael LaViolette | Chief Lighting Technician |
Camera | Steven Pehl | Best Boy Grip |
Crew | Paul Prokop | Production Controller |
Sound | Frederick Howard | Sound Designer |
Sound | Robert Jackson | Dialogue Editor |
Costume & Make-Up | Candy L. Walken | Key Hair Stylist |
Crew | Claire Raskind | Unit Publicist |
Sound | Cormac Funge | Sound Effects Editor |
Crew | Bill M. Puluti | Transportation Coordinator |
Sound | Frank Gaeta | Sound Effects Editor |
Sound | Thomas Jones | Dialogue Editor |
Sound | Derek Marcil | Sound Re-Recording Mixer |
Sound | Chris Douridas | Music Consultant |
Sound | William Smith | Sound Re-Recording Mixer |
Sound | Lucy Sustar | Foley Mixer |
Sound | Diane Marshall | Foley Artist |
Sound | Thomas Volckmann | Foley Editor |
Sound | Louis Creveling | Dialogue Editor |
Sound | Micki Stern | Music Coordinator |
Sound | Mary Erstad | Foley Mixer |
Sound | Tony Suraci | Foley Editor |
Sound | Mike Flicker | Music Editor |
Sound | Derek Marcil | ADR Mixer |
Sound | Ossama Khuluki | Foley Artist |
Sound | Steve Scoville | Dialogue Editor |
Sound | Catherine Harper | Foley Artist |
Sound | David Grant | Dialogue Editor |
Sound | Danielle Ghent | Dialogue Editor |
Editing | Dan Muscarella | Color Timer |
Sound | Alan Freedman | ADR Mixer |
Sound | John Ross | Sound Re-Recording Mixer |
Sound | David Mann | Foley Editor |
Costume & Make-Up | Gary Archer | Prosthetics |
Crew | Anita Hart | Stunt Double |
Crew | Patricia Tallman | Stunts |
Crew | Sashy Bogdanovich | Set Production Assistant |
Camera | Wally Pfister | Additional Photography |