New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
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Production | Alan Marshall | Producer |
Production | Robert Stigwood | Executive Producer |
Sound | Paul Williams | Original Music Composer |
Camera | Peter Biziou | Director of Photography |
Camera | Michael Seresin | Director of Photography |
Editing | Gerry Hambling | Editor |
Production | David Puttnam | Executive Producer |
Directing | Alan Parker | Director |
Writing | Alan Parker | Writer |
Sound | Paul Williams | Songs |
Sound | Ken Barker | Sound |
Camera | David Appleby | Still Photographer |
Art | Malcolm Middleton | Art Direction |
Costume & Make-Up | Sarah Monzani | Hairdresser |
Directing | Brian Bilgorri | Assistant Director |
Art | Geoffrey Kirkland | Production Design |
Costume & Make-Up | Monica Howe | Costume Design |
Costume & Make-Up | Tommie Manderson | Makeup Artist |
Directing | Gerry Toomey | Assistant Director |
Production | Garth Thomas | Production Manager |
Directing | Ray Corbett | First Assistant Director |
Art | Harry Cordwell | Set Decoration |
Costume & Make-Up | Mary Hillman | Makeup Artist |
Costume & Make-Up | Sandra Exelby | Hairdresser |
Art | Robert Cartwright | Assistant Art Director |
Art | Bill MacLaren | Construction Manager |
Sound | Clive Winter | Sound Mixer |
Production | Ron Phipps | Production Accountant |
Art | David Lusby | Property Buyer |
Crew | Gillian Gregory | Choreographer |
Directing | Kay Fenton | Continuity |
Camera | John Stanier | Camera Operator |
Art | John Leuenberger | Property Master |
Sound | Les Wiggins | Sound Editor |
Editing | David Beesley | Assistant Editor |
Camera | Vic Fuller | Clapper Loader |
Editing | Terry Busby | Assistant Editor |
Sound | Ken Weston | Boom Operator |