In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
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| Writing | Philip Haas | Screenplay |
| Writing | Belinda Haas | Screenplay |
| Camera | Bernard Zitzermann | Director of Photography |
| Directing | Philip Haas | Director |
| Lighting | Eric Baraillon | Gaffer |
| Sound | Michael Barry | Sound Re-Recording Mixer |
| Production | Kerry Orent | Producer |
| Costume & Make-Up | Paul Brown | Costume Design |
| Costume & Make-Up | Martin Samuel | Hairstylist |
| Crew | Kim Brandstrup | Choreographer |
| Camera | Kevin Flay | Camera Operator |
| Sound | Annette Kudrak | Music Editor |
| Sound | Brian Vancho | Foley |
| Art | Alison Riva | Art Direction |
| Costume & Make-Up | Jane Hamilton | Costume Supervisor |
| Editing | Belinda Haas | Editor |
| Art | Jennifer Kernke | Production Design |
| Camera | Simon Mein | Still Photographer |
| Sound | Wendy Hedin | Supervising Sound Editor |
| Writing | A.S. Byatt | Story |
| Production | Belinda Haas | Producer |
| Production | Joyce Herlihy | Producer |
| Production | Celestia Fox | Casting |
| Costume & Make-Up | Sarah Monzani | Makeup Artist |
| Directing | Danuta Skarszewska | Script Supervisor |
| Camera | Alex Bailey | Still Photographer |
| Sound | George A. Lara | Foley |
| Sound | Alexander Bălănescu | Original Music Composer |
| Sound | Colin Nicolson | Sound |
