The film’s story revolves around Karin Stolpe’s complex relationship with her husband Sven Stolpe and her passionate love affair with Olof Lagercrantz which starts in the 1930s. It shows the impact of passion, jealousy and anger across 70 years, involving different generations.
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| Costume & Make-Up | Eva von Bahr | Makeup Designer |
| Sound | Patrick Ghislain | Foley Mixer |
| Production | Jeanette Klintberg | Casting |
| Sound | Peter Storm Wich | Sound Effects Editor |
| Sound | Per Sundström | ADR Recordist |
| Costume & Make-Up | Love Larson | Prosthetic Designer |
| Sound | Julien Naudin | Foley Artist |
| Crew | David Peter | Special Effects Technician |
| Production | Jonathan Ridings | Producer |
| Production | Annika Sucksdorff | Producer |
| Writing | Veronica Zacco | Screenplay |
| Writing | Alex Schulman | Novel |
| Directing | Björn Runge | Director |
| Camera | Stellan Runge | Director of Photography |
| Production | Alex Schulman | Executive Producer |
| Production | Anna Croneman | Co-Producer |
| Production | Peter Possne | Co-Producer |
| Production | Yaba Holst | Co-Producer |
| Production | Jenny Stjernströmer-Björk | Executive Producer |
| Production | Anne-Marie Söhrman Fermelin | Co-Producer |
| Production | Mia Uddgren | Line Producer |
| Production | Kristina Börjeson | Co-Producer |
| Production | Charlotta Denward | Co-Producer |
| Editing | Lena Dahlberg-Runge | Editor |
| Sound | Jacob Mülrad | Music |
| Editing | Michael Sevholt | Supervising Editor |
| Sound | Göran Edström | Sound Mixer |
| Sound | Morten Solum | Sound Mixer |
| Costume & Make-Up | Ingrid Sjögren | Costume Design |
| Art | Josefin Åsberg | Production Design |
| Art | Josefin Åsberg | Art Direction |
