Pittsburgh, Pennsylvania, 1991. High school freshman Charlie is a wallflower, always watching life from the sidelines, until two senior students, Sam and her stepbrother Patrick, become his mentors, helping him discover the joys of friendship, music and love.
Is The Perks of Being a Wallflower on Netflix? Yes! The movie The Perks of Being a Wallflower is now on Netflix in the countries listed below.
| Writing | Stephen Chbosky | Novel |
| Directing | Stephen Chbosky | Director |
| Writing | Stephen Chbosky | Screenplay |
| Crew | Samantha MacIvor | Stunts |
| Production | John Malkovich | Producer |
| Editing | Mary Jo Markey | Editor |
| Production | Russell Smith | Producer |
| Camera | Andrew Dunn | Director of Photography |
| Sound | Michael Brook | Original Music Composer |
| Production | Stephen Chbosky | Executive Producer |
| Art | Inbal Weinberg | Production Design |
| Production | Lianne Halfon | Producer |
| Production | James Powers | Executive Producer |
| Production | Venus Kanani | Casting |
| Directing | Diane Hassinger Newman | Script Supervisor |
| Production | Mary Vernieu | Casting |
| Costume & Make-Up | Amanda Jenkins | Set Costumer |
| Art | Eugene Doyle | Set Dresser |
| Costume & Make-Up | Diane Collins | Costume Supervisor |
| Art | Thomas F. Kelly | Set Dresser |
| Art | Aaron Streiner | Set Dresser |
| Costume & Make-Up | Melanie Marie Evans | Set Costumer |
| Visual Effects | Phillip Hoffman | Visual Effects Producer |
| Sound | Alexandra Patsavas | Music Supervisor |
| Directing | Susan Ransom-Coyle | Second Assistant Director |
| Costume & Make-Up | David C. Robinson | Costume Designer |
| Directing | Chip Signore | First Assistant Director |
| Production | James Powers | Unit Production Manager |
| Sound | Joe Barnett | Sound Re-Recording Mixer |
| Production | Natalie Angel | Production Coordinator |
| Art | Pete Dancy | Property Master |
| Art | Merissa Lombardo | Set Decoration |
| Crew | Russell Tyrrell | Special Effects Coordinator |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Jeffree Bloomer | Sound Mixer |
| Costume & Make-Up | Nancy Keslar | Key Hair Stylist |
| Production | Gillian Brown | Co-Producer |
| Production | Shawn Boyachek | Location Manager |
| Sound | Richard Dawn | Sound Editor |
| Sound | Trevor Metz | Sound Editor |
| Camera | John Bramley | Still Photographer |
| Production | Janice F. Sperling | Production Supervisor |
| Costume & Make-Up | Suzy Mazzarese-Allison | Hair Department Head |
| Sound | Perry Robertson | Supervising Sound Editor |
| Sound | Scott Sanders | Supervising Sound Editor |
| Production | Ava Dellaira | Associate Producer |
| Camera | Keith Seymour | Key Grip |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Visual Effects | Adam Avitabile | Visual Effects Supervisor |
| Art | Gregory A. Weimerskirch | Art Direction |
| Art | Christina Myal | Graphic Designer |
| Costume & Make-Up | Patty Bell | Key Makeup Artist |
| Production | Chris Gary | Associate Producer |
| Sound | Anthony Cargioli | Boom Operator |
| Sound | Noel Vought | Foley Artist |
| Crew | Blaise Corrigan | Stunt Coordinator |
| Crew | Eric Bergman | Post Production Supervisor |
| Costume & Make-Up | Evelyne Noraz | Makeup Department Head |
| Sound | Bruce Tanis | Sound Editor |
| Lighting | Patrick Murray | Gaffer |
| Sound | Andy Partridge | Songs |
