In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city's black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
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| Writing | Walter Mosley | Novel |
| Camera | Tak Fujimoto | Director of Photography |
| Directing | Carl Franklin | Director |
| Production | Jesse Beaton | Producer |
| Writing | Carl Franklin | Screenplay |
| Sound | Elmer Bernstein | Original Music Composer |
| Editing | Carole Kravetz Aykanian | Editor |
| Production | Gary Goetzman | Producer |
| Crew | Tony Brubaker | Stunt Coordinator |
| Costume & Make-Up | Sharen Davis | Costume Design |
| Costume & Make-Up | Edna Sheen | Makeup Artist |
| Art | Gary Frutkoff | Production Design |
| Production | Jonathan Demme | Executive Producer |
| Costume & Make-Up | Kenneth Walker | Key Hair Stylist |
| Sound | Mark A. Lanza | Sound Editor |
| Production | Thomas A. Imperato | Associate Producer |
| Sound | Steve Mann | Sound Editor |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Production | Edward Saxon | Executive Producer |
| Art | Kathryn Peters | Set Decoration |
| Production | Victoria Thomas | Casting |
| Art | Dan Webster | Art Direction |
| Production | Walter Mosley | Associate Producer |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Production | Donna Gigliotti | Associate Producer |
| Sound | Dan Yale | Sound Editor |
| Crew | Dick Hancock | Stunts |
