In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city's black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
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| Directing | Carl Franklin | Director |
| Writing | Carl Franklin | Screenplay |
| Writing | Walter Mosley | Novel |
| Production | Gary Goetzman | Producer |
| Sound | Elmer Bernstein | Original Music Composer |
| Camera | Tak Fujimoto | Director of Photography |
| Editing | Carole Kravetz Aykanian | Editor |
| Production | Jesse Beaton | Producer |
| Crew | Tony Brubaker | Stunt Coordinator |
| Costume & Make-Up | Sharen Davis | Costume Design |
| Costume & Make-Up | Edna Sheen | Makeup Artist |
| Art | Gary Frutkoff | Production Design |
| Production | Jonathan Demme | Executive Producer |
| Production | Donna Gigliotti | Associate Producer |
| Production | Thomas A. Imperato | Associate Producer |
| Production | Walter Mosley | Associate Producer |
| Production | Edward Saxon | Executive Producer |
| Production | Victoria Thomas | Casting |
| Art | Dan Webster | Art Direction |
| Art | Kathryn Peters | Set Decoration |
| Costume & Make-Up | Kenneth Walker | Key Hair Stylist |
| Sound | Mark A. Lanza | Sound Editor |
| Sound | Steve Mann | Sound Editor |
| Sound | Dan Yale | Sound Editor |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Crew | Dick Hancock | Stunts |
