Psychiatrist Ann Hecker is ending one relationship and possibly starting an important new one, while finding that some of the sexual exploits her patients relate are weighing on her. Turning to a married friend from her research days for guidance, she finds his help increasingly important when a female patient is murdered and it turns out that her new boyfriend was also seeing the dead woman.
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Sound | Thomas Newman | Original Music Composer |
Camera | Michael Chapman | Director of Photography |
Art | John Jay Moore | Production Design |
Art | Justin Scoppa Jr. | Set Decoration |
Costume & Make-Up | John Dunn | Costume Design |
Directing | Christopher Crowe | Director |
Production | Stephen F. Kesten | Co-Producer |
Writing | Christopher Crowe | Writer |
Crew | Danny Aiello III | Stunt Coordinator |
Crew | Connie Brink | Special Effects |
Costume & Make-Up | Bernadette Mazur | Makeup Artist |
Costume & Make-Up | Colleen Callaghan | Hairstylist |
Costume & Make-Up | Neal Martz | Makeup Artist |
Costume & Make-Up | Betsy J. Wise | Makeup Artist |
Costume & Make-Up | Todd Kleitsch | Makeup Artist |
Sound | Maurice Schell | Supervising Sound Editor |
Sound | Richard P. Cirincione | Supervising Sound Editor |
Sound | Bill Bernstein | Music Editor |
Sound | Nicholas Meyers | Music Editor |
Sound | Harriet Fidlow | Supervising ADR Editor |
Sound | Jellybean Benítez | Music Supervisor |
Crew | Annie Ellis | Stunts |
Directing | David R. Ellis | Second Unit Director |
Crew | John Cenatiempo | Stunts |
Editing | Ray Hubley | Editor |
Editing | Bill Pankow | Editor |
Production | Mary Colquhoun | Casting |
Production | Martin Bregman | Producer |
Production | Michael Bregman | Producer |
Production | Andrew Deane | Executive Producer |
Production | Eric Freiser | Executive Producer |
Production | Richard Gitelson | Executive Producer |
Production | Richard Gitelson | Co-Producer |
Production | William Link | Executive Producer |