In this reenactment of a propaganda documentary, a woman is falling prey to the role assigned to her in slow motion. Upon her arrest, diplomat Mária Kerényi is interviewed by the state television. Her story in espionage confronts the mechanisms of autocracy and the concept of guilt in a closed society.
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| Editing | Daniel Misota | Editor |
| Writing | Daniel Misota | Screenplay |
| Directing | Daniel Misota | Director |
| Lighting | Konrád Taródi-Nagy | Electrician |
| Camera | Attila Bakos | Grip |
| Sound | Csaba Zubonyai | Boom Operator |
| Art | Gréta Melicher | Production Design |
| Sound | Bálint Zándoki | Location Sound Mixer |
| Production | Gerzson Szántó | Production Manager |
| Costume & Make-Up | Niccolo Cina | Hair Designer |
| Directing | Kata Incze | First Assistant Director |
| Sound | András Pór | Boom Operator |
| Lighting | Ferenc Halabuk | Gaffer |
| Production | József Fülöp | Producer |
| Camera | Gergely Gyenes-Kristófi | Focus Puller |
| Lighting | Bence Pintér | Electrician |
| Art | Máté Kudar | Art Direction |
| Camera | Endre Dániel Tóth | Assistant Camera |
| Lighting | Tamás Lovizer | Electrician |
| Camera | Máté Miklósfalvi | Assistant Camera |
| Camera | Bálint Orosz | Director of Photography |
| Lighting | György Tóth | Best Boy Electrician |
| Costume & Make-Up | Dóra Pattantyus | Costume Design |
| Costume & Make-Up | Réka Wolf | Makeup Artist |
| Camera | Daniella Grinberg | Camera Trainee |
| Production | Marcell Marton | Executive Producer |
| Art | László Kanyó | Art Department Assistant |
| Directing | Adam Angyalosi | Second Assistant Director |
| Visual Effects | András Pflum | Visual Effects |
| Editing | András Szűcs | Colorist |
| Sound | Tamás Zányi | Sound Designer |
| Camera | Janos Toth | Dolly Grip |
