Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
Is The Bank Job on Netflix? Yes! The movie The Bank Job is now on Netflix in the countries listed below.
| Production | Alan Glazer | Executive Producer |
| Directing | Roger Donaldson | Director |
| Production | Alex Gartner | Executive Producer |
| Production | Christopher Mapp | Executive Producer |
| Production | Charles Roven | Producer |
| Writing | Dick Clement | Screenplay |
| Camera | Michael Coulter | Director of Photography |
| Production | Gary Hamilton | Executive Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Scott Fischer | Executive Producer |
| Production | David Alper | Executive Producer |
| Production | George McIndoe | Executive Producer |
| Writing | Ian La Frenais | Screenplay |
| Production | Aaron Shuster | Producer |
| Art | Gavin Bocquet | Production Design |
| Sound | J. Peter Robinson | Original Music Composer |
| Production | Steven Chasman | Producer |
| Production | David Whealy | Executive Producer |
| Production | Mairi Bett | Producer |
| Production | Pete Ford | Line Producer |
| Production | Lucinda Syson | Casting |
| Editing | John Gilbert | Editor |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Production | Luigi Desole | Line Producer |
| Production | Matthew Street | Executive Producer |
| Costume & Make-Up | Marion Weise | Costume Supervisor |
| Sound | Andrew Neil | Sound Re-Recording Mixer |
| Sound | Paul Pirola | Sound Re-Recording Mixer |
| Lighting | Terry Edland | Gaffer |
| Camera | Stuart Howell | Camera Operator |
| Sound | Andrew Neil | Supervising Sound Effects Editor |
| Production | Sasha Harris | Production Manager |
| Crew | Marc van Buuren | Post Production Supervisor |
| Visual Effects | Peter Webb | Visual Effects Supervisor |
| Camera | Chris Plevin | Camera Operator |
| Art | Mark Scruton | Art Direction |
| Production | Giles Edleston | Location Manager |
| Sound | Simon Leadley | Music Editor |
| Directing | Sylvia Parker | Script Supervisor |
| Art | Richard Selway | Assistant Art Director |
| Visual Effects | David Booth | Visual Effects Supervisor |
| Crew | Graham Smith | Unit Publicist |
| Art | Mark Scruton | Set Decoration |
| Art | Pippa Sheen | Art Department Coordinator |
| Crew | Brian Holmes | Special Effects Coordinator |
| Visual Effects | Ineke Majoor | Visual Effects Producer |
| Crew | Greg Powell | Stunt Coordinator |
| Crew | Philip Ball | Stand In |
| Camera | Jack English | Still Photographer |
| Art | Phil Harvey | Supervising Art Director |
| Directing | Michael Stevenson | Additional Second Assistant Director |
| Sound | James Harvey | Dialogue Editor |
| Costume & Make-Up | Kirstin Chalmers | Hair Designer |
| Costume & Make-Up | Massimo Gattabrusi | Hairstylist |
| Costume & Make-Up | Heather Ross | Hair Supervisor |
| Costume & Make-Up | Sharon O'Brien | Key Makeup Artist |
| Costume & Make-Up | Donald McInnes | Key Hair Stylist |
| Costume & Make-Up | Heather Ross | Makeup Designer |
| Costume & Make-Up | Helene Glover | Makeup & Hair Assistant |
| Costume & Make-Up | Laura McIntosh | Makeup Artist |
| Costume & Make-Up | Sharon O'Brien | Key Hair Stylist |
| Costume & Make-Up | Waldo Mason | Prosthetics |
| Costume & Make-Up | Jodie Hellingman | Hairdresser |
| Costume & Make-Up | Carla Vicenzino | Makeup Artist |
| Art | Louise Begbie | Art Department Assistant |
| Art | Robert Voysey | Construction Manager |
| Art | Nick Turnbull | Property Master |
| Camera | Andrew Jerram | First Assistant Camera |
| Costume & Make-Up | Sharon Long | Assistant Costume Designer |
| Art | Malcolm Roberts | Construction Manager |
| Camera | Karl von Moller | Director of Photography |
| Camera | Luke Coulter | Second Assistant "A" Camera |
| Directing | Lee Grumett | First Assistant Director |
| Sound | Lionel Strutt | ADR Coordinator |
| Sound | Jonathan Rimas | ADR Mixer |
| Art | Laura Dishington | Graphic Designer |
| Camera | Martin Hume | Camera Operator |
| Lighting | Richard Mason | Electrician |
| Lighting | Tony Hayes | Rigging Gaffer |
| Camera | Ray Meere | Second Assistant "B" Camera |
| Directing | Matthew Baker | First Assistant Director |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Alan Freedman | ADR Mixer |
| Camera | Tim Wooster | Camera Operator |
| Camera | Luke Myslowski | Grip |
| Camera | Mike Brewster | Second Unit Director of Photography |
| Directing | Brendan Campbell | First Assistant Director |
| Camera | Chas Bain | Camera Operator |
| Camera | John Ferguson | First Assistant "B" Camera |
| Art | Wilson Du | Draughtsman |
| Art | Hannah Read | Art Department Assistant |
| Art | Paul Hearn | Props |
| Art | Amelia Marasco | Set Dresser |
| Camera | Julian Bucknall | First Assistant "A" Camera |
| Camera | Peter Myslowski | Key Grip |
| Costume & Make-Up | Yvonne Otzen | Costume Assistant |
| Production | Kate Ringsell | Casting Assistant |
| Visual Effects | Paul Buckley | Lead Animator |
| Costume & Make-Up | Anthony Brookman | Costume Assistant |
| Costume & Make-Up | Julie Barton | Costumer |
| Sound | Rachael Tate | ADR Recordist |
| Editing | Tony Poriazis | Digital Intermediate |
| Production | Daniel Budd | First Assistant Accountant |
| Production | Celia Barnett | Researcher |
| Directing | Luigi Spoletini | First Assistant Director |
| Writing | Mark Thomas | Script Editor |
| Directing | Josh Robertson | First Assistant Director |
| Sound | John McKerrow | Sound Recordist |
| Directing | Susie Struth | Script Supervisor |
| Sound | Mario Vaccaro | Foley Artist |
| Editing | Justin Heitman | Digital Intermediate Colorist |
| Production | Peter Block | Production Executive |
| Sound | Peter Mills | Sound Effects Editor |
| Editing | Nic Smith | Digital Intermediate |
| Sound | Edward Rogers | Music Programmer |
| Sound | Kieran McVeigh | Assistant Sound Editor |
| Sound | Bruce Emery | Dolby Consultant |
| Crew | Kate Brontë-Stewart | Floor Runner |
| Art | Ben Collins | Standby Art Director |
| Art | Nick Pelham | Storyboard Artist |
| Sound | Simon Bysshe | Boom Operator |
| Crew | Daniel Williams | Special Effects Technician |
| Art | Nathan Bayliss | Title Designer |
| Editing | Ruth Coulson | First Assistant Editor |
| Editing | George Awburn | Online Editor |
| Production | Hollie Foster | Assistant Production Coordinator |
| Sound | Robin Johnson | Boom Operator |
| Sound | Steve Burgess | Sound Effects Editor |
| Sound | Simon Hayes | Production Sound Mixer |
| Crew | Neil Toddy Todd | Special Effects Technician |
| Editing | Amelia Ford | First Assistant Editor |
| Crew | Scott Warwick | Armorer |
| Production | Polly Jefferies | Production Coordinator |
| Sound | Blair Slater | Foley Editor |
| Sound | Kim Green | Music Consultant |
| Directing | Polly Hope | Script Supervisor |
| Crew | Nick Jeffries | Armorer |
| Production | Natalia Pizzey | Production Coordinator |
| Production | Tracey Taylor | Assistant Accountant |
