Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
Is The Bank Job on Netflix? Yes! The movie The Bank Job is now on Netflix in the countries listed below.
| Production | Alan Glazer | Executive Producer |
| Production | Alex Gartner | Executive Producer |
| Production | Scott Fischer | Executive Producer |
| Production | Christopher Mapp | Executive Producer |
| Production | George McIndoe | Executive Producer |
| Directing | Roger Donaldson | Director |
| Production | David Alper | Executive Producer |
| Production | Gary Hamilton | Executive Producer |
| Writing | Ian La Frenais | Screenplay |
| Production | David Whealy | Executive Producer |
| Writing | Dick Clement | Screenplay |
| Production | Charles Roven | Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Camera | Michael Coulter | Director of Photography |
| Sound | J. Peter Robinson | Original Music Composer |
| Production | Matthew Street | Executive Producer |
| Art | Gavin Bocquet | Production Design |
| Editing | John Gilbert | Editor |
| Production | Steven Chasman | Producer |
| Production | Aaron Shuster | Producer |
| Production | Mairi Bett | Producer |
| Production | Pete Ford | Line Producer |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Production | Luigi Desole | Line Producer |
| Production | Lucinda Syson | Casting |
| Costume & Make-Up | Marion Weise | Costume Supervisor |
| Art | Mark Scruton | Set Decoration |
| Sound | Andrew Neil | Supervising Sound Effects Editor |
| Camera | Stuart Howell | Camera Operator |
| Sound | Simon Leadley | Music Editor |
| Art | Pippa Sheen | Art Department Coordinator |
| Crew | Greg Powell | Stunt Coordinator |
| Directing | Sylvia Parker | Script Supervisor |
| Crew | Marc van Buuren | Post Production Supervisor |
| Visual Effects | Ineke Majoor | Visual Effects Producer |
| Camera | Jack English | Still Photographer |
| Art | Richard Selway | Assistant Art Director |
| Visual Effects | David Booth | Visual Effects Supervisor |
| Visual Effects | Peter Webb | Visual Effects Supervisor |
| Production | Giles Edleston | Location Manager |
| Production | Sasha Harris | Production Manager |
| Art | Mark Scruton | Art Direction |
| Camera | Chris Plevin | Camera Operator |
| Sound | Andrew Neil | Sound Re-Recording Mixer |
| Sound | Paul Pirola | Sound Re-Recording Mixer |
| Crew | Brian Holmes | Special Effects Coordinator |
| Lighting | Terry Edland | Gaffer |
| Crew | Graham Smith | Unit Publicist |
| Crew | Philip Ball | Stand In |
| Art | Phil Harvey | Supervising Art Director |
| Directing | Michael Stevenson | Additional Second Assistant Director |
| Sound | James Harvey | Dialogue Editor |
| Costume & Make-Up | Donald McInnes | Key Hair Stylist |
| Costume & Make-Up | Heather Ross | Makeup Designer |
| Costume & Make-Up | Sharon O'Brien | Key Makeup Artist |
| Costume & Make-Up | Helene Glover | Makeup & Hair Assistant |
| Costume & Make-Up | Kirstin Chalmers | Hair Designer |
| Costume & Make-Up | Carla Vicenzino | Makeup Artist |
| Costume & Make-Up | Waldo Mason | Prosthetics |
| Costume & Make-Up | Heather Ross | Hair Supervisor |
| Costume & Make-Up | Sharon O'Brien | Key Hair Stylist |
| Costume & Make-Up | Jodie Hellingman | Hairdresser |
| Costume & Make-Up | Massimo Gattabrusi | Hairstylist |
| Costume & Make-Up | Laura McIntosh | Makeup Artist |
| Art | Nick Turnbull | Property Master |
| Art | Amelia Marasco | Set Dresser |
| Art | Hannah Read | Art Department Assistant |
| Art | Robert Voysey | Construction Manager |
| Art | Paul Hearn | Props |
| Art | Malcolm Roberts | Construction Manager |
| Costume & Make-Up | Anthony Brookman | Costume Assistant |
| Camera | Mike Brewster | Second Unit Director of Photography |
| Directing | Luigi Spoletini | First Assistant Director |
| Production | Kate Ringsell | Casting Assistant |
| Art | Laura Dishington | Graphic Designer |
| Camera | Luke Myslowski | Grip |
| Art | Wilson Du | Draughtsman |
| Art | Louise Begbie | Art Department Assistant |
| Sound | Rachael Tate | ADR Recordist |
| Sound | Blair Slater | Foley Editor |
| Sound | Kim Green | Music Consultant |
| Production | Celia Barnett | Researcher |
| Art | Ben Collins | Standby Art Director |
| Camera | Peter Myslowski | Key Grip |
| Visual Effects | Paul Buckley | Lead Animator |
| Lighting | Richard Mason | Electrician |
| Costume & Make-Up | Julie Barton | Costumer |
| Sound | Mario Vaccaro | Foley Artist |
| Production | Natalia Pizzey | Production Coordinator |
| Sound | Edward Rogers | Music Programmer |
| Production | Peter Block | Production Executive |
| Art | Nick Pelham | Storyboard Artist |
| Camera | Karl von Moller | Director of Photography |
| Camera | John Ferguson | First Assistant "B" Camera |
| Camera | Luke Coulter | Second Assistant "A" Camera |
| Sound | Jonathan Rimas | ADR Mixer |
| Crew | Neil Toddy Todd | Special Effects Technician |
| Editing | Nic Smith | Digital Intermediate |
| Writing | Mark Thomas | Script Editor |
| Production | Daniel Budd | First Assistant Accountant |
| Sound | John McKerrow | Sound Recordist |
| Editing | Ruth Coulson | First Assistant Editor |
| Directing | Polly Hope | Script Supervisor |
| Crew | Nick Jeffries | Armorer |
| Production | Tracey Taylor | Assistant Accountant |
| Production | Hollie Foster | Assistant Production Coordinator |
| Camera | Chas Bain | Camera Operator |
| Directing | Josh Robertson | First Assistant Director |
| Sound | Robin Johnson | Boom Operator |
| Sound | Steve Burgess | Sound Effects Editor |
| Directing | Lee Grumett | First Assistant Director |
| Sound | Lionel Strutt | ADR Coordinator |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Alan Freedman | ADR Mixer |
| Production | Polly Jefferies | Production Coordinator |
| Crew | Kate Brontë-Stewart | Floor Runner |
| Camera | Martin Hume | Camera Operator |
| Camera | Andrew Jerram | First Assistant Camera |
| Sound | Kieran McVeigh | Assistant Sound Editor |
| Sound | Bruce Emery | Dolby Consultant |
| Art | Nathan Bayliss | Title Designer |
| Editing | Tony Poriazis | Digital Intermediate |
| Editing | Justin Heitman | Digital Intermediate Colorist |
| Camera | Julian Bucknall | First Assistant "A" Camera |
| Costume & Make-Up | Yvonne Otzen | Costume Assistant |
| Sound | Peter Mills | Sound Effects Editor |
| Sound | Simon Hayes | Production Sound Mixer |
| Editing | Amelia Ford | First Assistant Editor |
| Crew | Scott Warwick | Armorer |
| Camera | Tim Wooster | Camera Operator |
| Directing | Matthew Baker | First Assistant Director |
| Sound | Simon Bysshe | Boom Operator |
| Lighting | Tony Hayes | Rigging Gaffer |
| Camera | Ray Meere | Second Assistant "B" Camera |
| Costume & Make-Up | Sharon Long | Assistant Costume Designer |
| Directing | Brendan Campbell | First Assistant Director |
| Crew | Daniel Williams | Special Effects Technician |
| Editing | George Awburn | Online Editor |
| Directing | Susie Struth | Script Supervisor |
